Mercy

Ashia A. Abdulatiph

“The dog is flying.” Our GEC104 professor was in the middle of talking about the difference between humanities and science. I looked outside and drowned out her droning voice. The cloud looked like it was about to let down a strong rainfall.

The ant wandering on my desk died. I killed it.

Ping.

A text came through. The sharp sound disturbed the still and dull atmosphere. Reverberating throughout the classroom and echoing inside my head. My nerves flared out, my anxiety soared, the sound of death signaling another funeral.  I took a deep breath and reached towards my phone, turning it on.

Come home. The message said.

Come die. I thought. I want to puke. Puke, a word commonly mis-reported to be invented by Shakespeare. Deafening. Assassination. Bedazzling. Bedazzling light. Bedazzling beauty. Bedazzling life.

The shuffling of feet signaled the end of the class, pulling me out of my reverie. Having calmed down a little, I quickly arranged my things and left the room with my classmates. Others will be going to their next class, others will eat in some restaurant in comcent., and I will be walking home. Towards death.

Death. A funeral. How fast a life passes on. All used up. How easy it is to take a life. Life and Death. How many people die each day? Around 150,000 people. There is no cure to this, just enjoy the interval. The big secret. The miracle.  We will all die one day, so let go and live. Around 300,000 babies are born every day. That’s twice more….

Without realizing it, I have reached home with my feet guiding me through the familiar path. The house loomed over me, offering no solace from these scattered thoughts. I stood at the front of the door for a while. I watched as a yellow butterfly took flight and fly away. I felt the start of the rainfall as a rain drop fell on my skin. I reached for the doorknob, took a deep breath then opened the door.

“Assalamuaikom.” I said as I entered the house. It was dark inside, no light was turned on. Nothing was replaced or even moved here and yet everything felt so different. The air, it’s the air. A great absence can be felt, like a black hole sucking the light from its surrounding. My father had died. Two month ago, a lifetime ago.

A man was in the living room. There was no one in the house except for him. My sister is still in school and my mother is drowning herself with work. He was sitting in the dark, wearing nothing but black. The only light source coming from the slightly opened window casts shadows around him, making him look grim. A grim reaper out on a mission.

“Bapa Ito.”

“Get ready. We should finish this as fast as possible. It’s better that way.”

“Okay.” I started to walk away when he called out my name.

“Rahim.”

I stopped and looked back. He was walking towards me. In the dim living room, I watched his frail and weak frame, a stark contrast against his usual jovial and jolly energy. He stood before me, placing my trembling hand in between his hands.

On the third day of my father’s funeral, Bapa Ito pulled me away. He grasped my shoulder. His voice full of venom. His eyes full of anger. “Rahim, do you understand why your father is gone? They killed him, those bastards.”

That was the first time I felt scared of Bapa Ito.  With his bloodshot eyes, his booming voice, and the force of his grip on my shoulder, he was like a mad man.

“An ambush. They shot at him, three men. While he was on his way home, they shot at him, at his head. He laid there on the pavement.”

Noticing that I was beginning to feel scared, he calmed down. He caressed my cheeks then whispered, “Avenge your father. For your mother, for your family, for your honor, for the clan. For everyone that he and you love. Kill them. That is your job as his son. For your maratabat.”

“It’ll all be fine.” Bapa Ito said, bringing me back to the present.

“I am scared, bapa.”

“Stop thinking for now. Empty you’re head. Promise me that.”

I nodded. He released my hand then urged me to move along.

I went up to my room, then closed the door behind me. I am scared but I know it is something I must do. Something I am expected to do.

I looked at the clothes I have prepared earlier. Much like the clothes bapa Ito is wearing, it was all in black. I quickly changed and then went to my cabinet. I opened the drawer to get the gun. .45 caliber. The metal cold to the touch. I safely put it inside my waistband then walked downstairs, going back to the living room.

Bapa Ito noticed me and said, “Oh, you’re ready. I’ll start the motorcycle.”

It had started to rain heavily when we got out of the house. The sound of the water dropping on the metal roofs and the sound of thunder from lightning made things a little hard to hear. The roar of the motorcycle’s engine added to the cacophony of sounds.

Bapa Ito handed me a helmet. “Here. Put this over your head. It will cover your face.”

I put the helmet on then sat at the back. Bapa Ito also wore a helmet. As soon as we have settled, we were on the way. Towards the target.

“That’s him in the orange jacket. I’ll stop the motor when we are near him then you shoot. Understand?”

I nodded, even though he can’t see me.

I took out the gun from my waistband. I held it in my right hand – the pointy finger on the trigger, my thumb on one side of the handle while my pinky, middle, and ring finger on the other. I put my other hand below the barrel to provide support.

The motor stopped.

I raised my arms.

Then aimed.

At the guy in the orange jacket. At his head.

Then I pulled the trigger. Felt the gun’s mechanism release a bullet hunting its target.

Bang! Thud!

The sounds vibrated in my ear. Traveling throughout my whole body. Finding its way into my head. Imprinting itself into my memory.

And we were speeding along. The roar of the engine and the downfall of rain drowning out the screams. I barely noticed these sounds. Barely felt the coldness and my clothes sticking to my body. In my head, there was only the cold metal in my right hand, my heart thudding against my chest, and that sound inside my head repeating again and again.

Bang! Thud !Bang! Thud! Bang! Thud! Bang! Thud !Bang! Thud! Bang! Thud! Bang! Thud !Bang! Thud! Bang!

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHH!

Ping.

When I became aware of my surrounding, I find myself inside my room.

It’s that sound again. I feel fear slowly creeping in. Did he also have a son? Did he even have a wife? He looked young. Will I also be killed? Will I be killed by his son? His father? His cousin? When I die, who will kill for me? Bapa Ito? Will it continue? This cycle of death?

I buried myself into my bed. I started crying and gasping as tears forcefully cascades down my face. In my blurry vision, I saw a moth resting on the corner of the room.

The target. I do not even know his name. I did not want to know who he is.

According to a statistic, one hundred fifty thousand people die every day. Today, one of them died by my hand.

 

Reflections on the 2023 Gaza-Israel Conflict as a Filipino

Earl Carlo Mandi Guevarra

As I write this, I look out the window in sadness, feeling helpless at the terrible reality that tens of thousands of people are being systematically slaughtered in a place that’s just 41 kilometers long and 10 kilometers wide at its widest point. You can’t just make this up. Imagine cutting half of Metro Manila, placing it in an alternate dimension, and bombing it with all the kinds of ordnance you can think of, 24/7 nonstop – that’s what’s happening in the Gaza Strip right now.

On social media, it’s ironic that the majority of Filipinos support Israel’s actions, even when many around the world say otherwise. There are a couple of probable reasons why they might do so; they help with the defense requirements of the country, they equate it with the Holy Land, and the country is one of the rare people who would give Filipinos travel privileges (even in their security checks, Philippines is considered as one of those countries that will come right after their own citizens).

Ironically, a nation that is supposed to practice “makadiyos” (Godliness and excellence in service in the name of the Creator) and “makatao” (humanity and human excellence) as our core values are actively participating in dehumanizing people whose only fault was to be born on the wrong side of the planet.

I actually had an internal debate on whether I should reflect on the current conflict on paper or not. On one hand, I asked myself if there’s anything that has been written about the topic at hand that hasn’t already been written. On the other hand, it is pretty clear that many Filipinos, especially those outside of Mindanao, immediately demonize all Palestinians as terrorists – despite being completely innocent as far as the strictures of international law, war, and common human laws are concerned.

Sounds familiar? This was exactly the same situation that many people from this region had to face in the recent past. While there’s undeniably an actual and sustainable shot at lasting peace with the BARMM project (and yes, it’s way more peaceful now than before), it wasn’t that long ago when being from Mindanao (and being a Muslim) would raise eyebrows if you were walking in the streets of Manila – more so if you came from places like Maguindanao, Sulu, and the like.

I’ve even heard from one of my friends who lived in San Juan that there are rumors that other buyers wouldn’t buy a condominium unit if they found out that Muslims were living on the same floor. This isn’t the long-time-ago past of the early 2000s; I’m talking about something that happened just two or three years ago. This just shows that while the negative point of view towards Muslims may have been stifled over the past few years, it is still safe to say that many Filipinos still consider being a Muslim as a byword for being dangerous.

Now, on to the matter at hand: There are three things that we Filipinos should know about Gaza to understand the dynamics of the current and most destructive iteration of the conflict.

First, it’s ruled by a political entity called Hamas – yes, even its entry on the notorious Wikipedia lists it first as a political organization – who actually was elected democratically back in 2006 during the last Palestinian elections with 44.5% of the popular vote, and bagged 74 out of 132 seats. I can only think of a few big names here in the Philippine political landscape who have won by this margin fairly and squarely, and they had also to go up against a repressive and organized propaganda machine with virtually unlimited funding. With that being said, they also happen to be designated as a terrorist group by the United States and the European Union; but at the same time, they’re the de facto government of Gaza that provides for its 2.2 million people living within a completely blockaded area of 365 square kilometers. Make that of what you will.

Second, Palestine, is on paper, a state, though it’s divided into two entities: Fatah, who nominally sits as the Palestinian Authority, controls the West Bank, while Hamas controls Gaza. A state is supposed to have people, territory, government, and recognition by other states (even the Philippines officially recognizes Palestinian statehood) – this is what we’ve all learned in World History during high school. There’s a fifth element that’s generally implied – that’s the right to self-defense.

Given that Palestine is a state that’s recognized by 138 countries around the world and is being attacked by multiple means, doesn’t it have the right to defend its people, territory, and government through any means possible? This is what Palestinians have tried to do for many years against illegal settlers (no less than the UN condemned them), oppressive security forces (for those of you who don’t know, they’re going up against a full-scale surveillance apparatus that rivals the one placed in Xinjiang in China), and external parties who simply don’t want them to be a viable state for varying reasons.

Finally, in any conflict, there’s the concept of proportionality. To put it in terms that someone on the street would understand: You can only use force that is necessary to defend yourself and you can’t systematically target others who are not a part of your fight. One can argue that the invaders acted in “self-defense” (objectively, Hamas struck first), but that went out the window shortly after they decided to actively target medical facilities, schools, residential buildings, places of worship (including an Orthodox church), power facilities, you name it. Then, there is the fact that journalists were taunted and bombed (Wael Dahdouh, the Gaza bureau chief for Al Jazeera Arabic, had to go live 15 minutes after he had to bury his family – his wife, son, daughter, and grandson – that’s three generations killed in one strike!) Worst of all, nearly half of the deaths in Gaza are children; due to the conflict, an entire generation’s right to basic education and knowledge is denied and wiped out. You can’t think of a greater injustice than this.

Even if we throw all societal, rules-based, religious, and values-based considerations out of the window, anyone with basic human dignity should show at least some sympathy for those thousands who are forever unalive. It’s not just the people who are being erased from existence; traditions, cultures, and tales are being methodically and permanently devastated forever – that’s the extent of the horror that’s happening today in Palestine.

We may be apathetic and dismissive now, saying that it’s halfway around the world. However, this might be the reality that we Filipinos will be facing in a few years unless by some miracle we are spared from it. We can all rest assured that everyone and their dog is currently taking notes on this conflict, gauging how much they could get away with in terms of destroying human lives and dignity as well as the techniques and procedures that they could apply to maximize said destruction.

Going back, I realized I’d run out of tears. Every day, there’s a new catastrophe; every hour, there’s a novel calamity…and every hour, the population of an entire state is being decimated while many all over the world just watch on impassively as if it was nothing but a tragic movie.

There’s this poem entitled “Oh Rascal Children of Gaza” by Palestinian writer Khaled Juma, written in 2014, that encapsulates my feelings pretty well:

Oh rascal children of Gaza.
You who constantly disturbed me
with your screams under my window.
You who filled every morning
with rush and chaos.
You who broke my vase
and stole the lonely flower on my balcony.
Come back,
and scream as you want
and break all the vases.
Steal all the flowers.
Come back…
Just come back.

The bitter truth is that they’re not coming back to this world; they’ve been denied their right to exist and the right to try to shape the world around them for a better, brighter future. Yet, I believe that they’ll be reborn in another world, in a place where they’ll be happy, gilded, and dignified.

I can’t comprehend the fact that I’m living in an age where it’s possible to see entire generations dead in the blink of an eye. Still, I pray that the people of Palestine may resist and outlast this grim period – and that they may enjoy the chance to attain lasting and sustainable peace and progress, just like what’s currently built up in the Bangsamoro. I also hope to see them one day becoming free from the river to the sea and spreading into the ocean and leaving their stamp on all the coasts of the world.

Writing Process

Nurmina Abdul

I struggled with holding a pencil in preschool. While my classmates raced out of our makeshift classroom, I was left behind, clutching my pencil as if my life depended on it when it should be the pencil depending on me to guide it across the paper. My concerned and, at the same time, stressed-out teacher would let me do “Close-Open Hands” Exercises to help work my right hand’s control muscles and allow me to grasp a pencil without assistance. At home, my mother would teach me how to make du’a by letting me imitate how she lifted her hands, asking for the Almighty’s blessings. I remember these not because my handwriting had turned appealing or I became the best in making du’as but because my palms would seize my memories and ideas, ultimately processing them through my attempts at writing.

As a kid, I quietly enjoyed reading in corners. But growing up, soaked in an irretrievable rush to build a dream, I considered writing more seriously. The people around me, however, don’t seem to take me seriously each time I tell them I’m taking up creative writing. What more if they knew I couldn’t hold a pencil properly as a kid? Some of my relatives and acquaintances would confuse my course with Education major in English: They see the two disciplines as identical. If they were birds, they’re of the same feathers. Both struggle to find a nest to rest in. Though teaching is noble, and I might dive into it, I don’t think it’s fair to continually mistake something for something else.

In seventh grade, I learned a narrative could get amplified twice as others, especially when the other is perceived lightly. I remember first hearing the outcome of SAF 44’s OPLAN exodus in Mamasapano, Maguindanao, through my computer teacher, who prayed for the eternal repose of the slain forces and for protection against “bandits” who, according to him, wanted to take over the land of promise. In some way, he tried choosing his words carefully. Later, I’ll discover that at least seven civilians were dead, including a five-year-old and a farmer. While I’m far from competing about whose pain is more painful, maybe it’s worth saying that no one has a monopoly on suffering. I refuse to be convinced that someone wakes up waiting to be killed in their own home. Perhaps my classmates and teacher have forgotten the scenario because I would wish the same. Yet, the daunting task of writing, I have to feel, I have to remember, I have to retell.

A quick Google search of words synonymous with “process” would include procedure, operation, action, activity, undertaking, proceeding, development, course, measure, and means, to name some. I thought my writing “process” included opening and closing my hands like what I did in preschool. The more I practice, the better I’ll be. The tighter I hold onto narratives, the better. But I realize that as I learned to hold pencils and keep memoirs, I struggled to let go, too. There are times that I refuse to write because of such reasons.

My mother told me I should put my trust in God, especially regarding things outside my control. Indeed, it’s convenient to let the higher being take care of those beyond our capabilities. Yet, I’m not immune to the pressure. I admit to seeing writing as a chance to navigate through my Maguindanaon identity. Growing up, I struggled a lot with representation. I wondered why Bangsamoro history is obliterated in most history books while our clothing, food, language, and customs are appropriated. I wonder why Muslims get asked to explain Bin Laden’s actions when I don’t recall any credits for Rumi’s brilliance. I find it extra challenging to process the necessity to put frequent efforts into proving I’m not a threat to anyone by merely existing or, for that matter, writing. Probably, my mother was right to say I must relinquish what I can’t control.

Writing a short story involving Maguindanaon characters unveiled my internalized prejudice against my fellows. “Why did you kill off the character?” My lecturer asked in an afternoon Fiction I Workshop. The class was curious about the ending of my draft. They couldn’t wrap their heads around the death of the male protagonist turned combatant. It didn’t help that he was murdered by his fiancee, who didn’t earn the readers’ trust that she got in her the ability to kill. Looking back, I assumed that erasing my character was an easy shortcut to tie up the story. Perhaps a part of me didn’t yet have the full courage to defend my choice to write about arranged marriages and armed struggle. I failed to distinguish constructive self-criticism from pure contempt in writing about my people. I’m quite sure developing a sense of inferiority doesn’t happen overnight. I suppose I’m not alone in my experiences either. However, I consider it a personal battle that I must overcome. Regardless, on that afternoon, I gave everyone equally bad and lazy answers via Google Meet.

Mostly now, I imagine Moro writers who came before me had also searched for their specific voices and inspirations and had to learn and unlearn many things in their writing process and beyond throughout their journey. I find solace in thinking of fellow beginning Moro writers out there likewise trying. What’s left for us, I guess, is the boldness to keep on writing. I know I learned to hold a pencil to write stories. I believe I have an axon of assertions — even when pulled away, impulses.

Contributors (Issue 5)

Ashia A. Abdulatiph is an undergraduate student currently enrolled in the BA English Language Studies program at Mindanao State Univery-Main Campus, Marawi City. She is a Meranaw who grew up in what is now known as the Ground Zero of Marawi City. Her interests lie in the exploration of the Meranaw culture and its propagation. She intends to narrate and convey the lives of the Meranaw people whose voice needs to be represented in the mainstream media.

Nurmina Abdul is a Bachelor of Arts in English (Creative Writing) student at the University of the Philippines Mindanao. She hails from Sultan Kudarat, but currently resides in Davao.

As Sulus, Nelson Dino is engaged in creative writing like poetry, short stories, narratives, novels, and song lyrics in different languages. He serves as a professor of history and language at MSU-TCTO. His other writing comes from his iconological research on the cultural history, expressions, motifs, and meanings of the Sulus carving arts. His current research is about the archetypes of character in Kissa as a source of an individual’s sense of self, known to Sulus as Akkal Buddi.

Earl Carlo Guevarra is a consultant for an interfaith dialogue organization in Manila. Originally hailing from a mixed-faith family in Zamboanga, he has written for both local and international publications. He loves to travel to different places and consume huge amounts of fruit tea!

Morsid A. Kadir is a mujahid photojournalist currently employed in the Bangsamoro Information Office-Bangsamoro Autonomous Region in Muslim Mindanao. A native of Shariff Aguak in Maguindanao del Sur, he was born on June 16, 1993. He enjoys writing in a poetic style. His poetry is inspired by his experiences and observations of the realities of life, particularly in the life of a mujahid, aiming to inspire youngsters so that they won’t forget and will appreciate what the Bangsamoro has achieved today.

Norhan B. Kudarat is an English teacher at the JH Cerilles State College. He holds a Master of Arts in Education, specializing in English, and is pursuing a Ph.D. in Language Studies at Mindanao State University in Marawi City. In 2023, he received the Best Folk Story Writer award for his work, “Dipatuan and Bai Laga,” featured in the anthology of Kalimantan and Mindanao Folk Stories at Universitas Tanjungpura, Indonesia. Norhan’s career exemplifies dedication to education and a talent for storytelling that celebrates cultural heritage.

Aisha L. Kunting graduated senior high school at Philippine International School in Riyadh, where she was the assistant editor in chief for the Campus Voice paper. She worked for DQ Living Magazine Riyadh as a Content Contributor, creating reels and posts for DQ’s social media accounts. Currently, she is pursuing a degree in Business Administration at Mapua Malayan Digital College. Her hobbies include creative writing such as poems and short stories, and food photography for her Instagram blog, Averenza.

Jannah Reeham M. Macaumbos is an undergraduate student at Mindanao State University – Main Campus and is currently taking up the degree of Bachelor of Arts in English Language Studies. Jannah is a huge advocate of language preservation. She believes that there is an urgent need in preserving indigenous languages since it plays a crucial role in protecting the culture and identity of its speakers. Aside from her interest in language, she is also known for her advocacy about the importance of Mental Health and Human Rights.

Shariful Hashim S. Mansul, or Perry, is a freelance writer-researcher born in Jolo, Sulu. Loosely settling in the genre of creative nonfiction, his writings oftentimes explore the slippery figuration of realities in the Sulu Archipelago and aims to escalate its discoursive abstraction. He does this by mixing up memory, research, correspondences, armchair philosophy, and a pack of cigarettes. No coffee. He also likes trying out new things and Pringles.

Amirol Awal Mohammad is an active student leader, student athlete, and a passionate campus journalist. He is currently a fourth-year student, taking Bachelor of Science in Development Communication in Mindanao State University-Main Campus, Marawi City. He is the president of the Union of Communication Artists, under the Department of Communication and Media Studies, College of Social Sciences and Humanities, MSU-Main Campus. He is a new member of SOX Writers Collective who also dabbles in freelance hosting and photography.

Si Alican M. Pandapatan ay kasalukuyang fakulti ng Departamento ng Filipino at Iba Pang Wika, Kolehiyo ng Agham Panlipunan at Pangkatauhan ng Mindanao State University-Main Campus. Siya ay nagtuturo ng wika, pagsasaling pampanitikan, at banyagang wika. Nakapagturo na rin siya ng diskurso sa panitikan at malikhaing pagsulat. Ang isa sa kanyang salin na may pamagat na “Elehiya para kay Sakhr” ay nalathala sa Kawing Journal. Binasa niya rin ang tula ni Abadilla na “Ako ang Daigdig” sa isang Poetry Reading Night na bahagi ng isang kumperensiya sa Universiti Pendidikan Sultan Idris, Malaysia. Noong 2017, siya ay naging fellow ng 24th Iligan National Writers Workshop.

Contributors (Issue 4)

Sittie Aliah Hasmia Mimbala Abdulhalim is an 18-years-old student from Mindanao State University – Marawi Senior High School. She has been an aspiring writer ever since she was a Grade 7 student in MSU – Integrated Laboratory School and started to write her own works when she was in her sophomore years in junior highschool. She always dreamed to become one of the known Moro writers since then. She is more likely into writing short stories and short poems and even read some books when she has some spare time to spend.

Pearlsha Abubakar is an essayist, fictionist, and music composer. She has contributed many articles for major Philippine publications. She was a recipient of the Japan Airlines Summer Scholarship in 1996 and was a fellow for fiction at the UP National Writers Workshop in 2000 and the Iligan National Writers Workshop in 2002. Her music for Ligaya Amilbangsa’s Pangalay dance choreography Stillness In Motion was a finalist for the Onassis International Prize in 2001. She continues to make original music for special commissions, documentary and independent movies, many of which have been screened in film festivals abroad. She is married to filmmaker and photographer Robert Quebral. They have two children.

Abdulhamid Alawi Jr. currently heads the policy division of the BARMM ministry in charge of housing and human settlements. He is also an archivist and was a member of the project team for the Bangsamoro Museum in Cotabato City.

Si Rofaida Sangcopan Cairoden ay nagmula sa probinsya ng Bayang, Lanao del Sur. Lumaki at nagkaisip sa siyudad ng Marawi sa probinsya ng Lanao del Sur na nagmulat sa kanyang murang kaisipan sa malawak at mayamang kultura’t tradisyon ng tribong Meranao. Nakapagtapos ng kursong  Batsilyer ng sekondarya sa Filipino sa Pamantasang Bayan ng Mindanao sa lungsod ng Marawi. Kasalukuyan din niyang tinatapos ang kanyang Masteral digri na Master ng Sining sa Filipino medyor sa Literatura mula sa Departamento ng mga Gradwadong Pag-aaral mula sa Kolehiyo ng Agham Panlipunan at Pangkatauhan sa Pamantasang Bayan ng Mindanao at nakapagturo ang manunulat sa Philippine Integrated College Academy Foundation. Tulad ng ibang mga manunulat ng akdang pampanitikan, may layunin ang manunulat na maibahagi ang kanyang mga akdang isinulat mula sa iba’t ibang tribo at kultura mula sa buong sulok ng bansa. Sa hangarin na maibahagi at ipaintindi ang mayamang kultura ng mga Meranaw sa pamamagitan ng kanyang mga isinulat. Hangarin din niyang ipaintindi sa kanyang mga mambabasa ang kahalagahan ng isang babaeng Meranao sa tribong Meranao na kasalungat ng mga haka-haka at mga paniniwala mula sa isang babaeng Meranao.

Potri Norania Hadji Jamel, 22, is a Meranaw student completing a BA English (Creative Writing) degree in University of the Philippines Mindanao. Her works appear in Likhaan: University of the Philippines Institute of Creative Writing, Dagmay: Literary Journal of the Davao Writers Guild, and SunStar Davao.

Afdal Barreto Kunting (b. 1973) is a general internist, public health specialist, educator, researcher, climate and cultural competence advocate. He was a campus journalist in high school with a specialization in sports writing in English. His literary style, influenced by his sports writing background, is highly visual, dynamic, and descriptive. He was contributor to the Unilab Biomedis Anthology “Stories that Heal” and to the Daily Zamboanga Times. He presented papers at the Network: Towards Unity for Health in Darwin Australia, Rural Health Conference, WONCA in Seattle, USA and WHO PAHO in Havana, Cuba respectively. Locally, he has also presented at the Association of Philippine Medical Colleges, Inc. Annual Convention.

He was the awardee for Mindanao for Diamonds in the Rough: The Search for the Most Outstanding Young Physician in Community Service in 2009 and the PCP’s Exemplar for Outstanding Community leader in 2018. The Zamboanga City Medical Society awarded him as Most Outstanding Physician in 2020. In 2021, Global Offsite Care named him as one of its Telemedicine Champions. He is currently the Medical Center Chief II of the Zamboanga City Medical Center and seeks to establish a creative writing culture, poetry and storytelling in his institution.

Elmina Rayah Dizon-Maniago is a Mindawon artist, committed to the values of multiculturalism. Her work entitled “Kimochi” (My Favorite Rice Cake) won at the Docomo Tokai Visual Contest in Japan, 2003. Her illustrations of “Dako Nga Yahong Sang Batchoy” (A Big Bowl of Batchoy) won the Mindanao and ASEAN Children’s Literary Festival Book Awards in 2021.

Gamson Jr. Mawallil Quijano of Sulu is a registered Radiologic Technologist who works in Doha, Qatar. He is a contributor in Mindanawon Abroad of MindaNews through a column “Tausug In Doha.” He has published essays, poems, photo stories, and tarasul (Tausug form of poetry) in MindaNews, Mindanao Examiner, The Zamboanga Post, Philippine Muslim Today, The Ranao Star, Mindanao Times, Edge Davao, Mindanao Today, and Mindanao Post. Three of his poems entitled “Magma”, “Twilight” and “Northern Lights” have been published in Poetry 365 by RDW World Publisher. He belongs to the Tulawie Clan of Sulu. He is one of the great-grandchildren of Mohammad Tulawie, one of the greatest Tausug Muslim pioneer educators who made the Tausugs realized the value of education during his time.

Kristian N. Rivera is currently pursuing his final year of undergraduate studies with a major in political science. He is currently affiliated with Pacific Forum and Equal Access International – Philippines as an intern. For about three years, Kristian studied terrorist groups and terrorist profiles tied to 9/11 in New York and the Marawi Siege. He is also committed to understanding the culture, the challenges, and the history of the Moro people in Mindanao.

Jahara A. Solaiman is an instructor at the English Department of Mindanao State University-Marawi City, where she teaches English, literature, and art appreciation. Her earlier works have appeared in other literary anthologies, the most recent being Lawanen II (Gantala Press) and Ani 40: Katutubo (Cultural Center of the Philippines). In addition to creative writing, she loves imparting her love of art (she works with colored pencils, watercolors, and acrylic) to her students.