Outfit Repeat

Aaqilah S. Mangarun

Despite it being five in the morning, the water was a little too lukewarm to wake me up. By the time I stepped out of the bathroom, I barely felt the sleepiness escape me. The takbir echoed from the nearby masjid, filling the background of the otherwise listless dawn. I groggily went back to my room to get dressed.

My fingers ran through the smooth fabric of my abaya, a plain but well-made thing. The loose, black dress-like garment was a size too long for me, and I immediately thought of the two-inch heels I had to pair with it to compensate for my average stature. The textured hem of the sleeves was the only thing that gave it a modicum of personality.

I liked the abaya, but I felt it lacked color, so I wore a blue shimmering hijab to pair with it for Eid al-Adha. To finish the look, I applied sunscreen, a touch of powder and a red lip balm.

Somebody’s looking real mature, I thought as I looked in the mirror. I felt far from it, though.

My mother bought the abaya from someone who supposedly bought it from Saudi Arabia. As a niqabi, my mother’s wardrobe consisted of abayas of all sorts, from plain ones for everyday wear to colored and bejeweled ones for formal occasions, including today’s Eid.

What I hoped no one would notice was that this was the same abaya I had worn a few months ago in Eid al-Fitr. Only I paired it with a pastel green hijab instead, a color I had never worn before. The odd choice made the outfit novel, I told myself, but that did not change the fact that I was repeating it. I was no stranger to abayas or repeating outfits, or the two combined. But there had always been a part of me that hoped that every Eid meant new clothes, new outfits.

It was not like our family could not afford me a more colorful, elaborate getup; I simply wore whatever my mother bought me. Even at my tender age of 22, she still had a habit of choosing my Eid clothes, a small tradition I have come to accept as part of the holiday itself. As much as I wanted to pick my dream Eid outfit (I did not have such a thing yet), I did not have the heart nor the guts to demand anything beyond whatever clothes she provided me.

Breakfast came and went with little fanfare. After a ride to a neighboring town, my family met and sat with my aunt and her kids—my cousins—in the masjid a few steps from their house. We took up the whole front row of the ladies’ section, our row decorated with a medley of prayer mats of different colors and sizes.

Sitting on my legs, I stared at the other women behind our row out of the corner of my eye. They all looked beautiful with their vibrant dresses and sparkling accessories as they chatted away while waiting for the prayer to begin. It was as if the masjid became a mini fashion exhibit for the day. A pang of jealousy and nostalgia hit my heart at the same time. There used to be days when I wore similar clothes, back when I was younger and when my family and I lived in the Middle East during my adolescent years. It was only for a handful of times, however, before my parents decided that I was old enough to wear the classic abaya every other woman wore. Sure, my abaya had some color or decoration, but it was nothing compared to the cute outfits kids my age wore.

During that time, every Eid spent with my family meant eating out after khutbah. Most establishments would close for the first few days after Ramadan, but those that were not would be filled with families going out to half celebrate and half escape the desert heat. Malls and some chain restaurants would remain open, and they would be quite crowded. After a month of fasting and keeping to ourselves in our homes, it was an almost poetic way to break that routine.

Chances are, you’d find me and my family among those celebrating outside. Despite the happy atmosphere all around, a strange quiet befell me each Eid. A yearning for something more. I longed for the kind of holiday that meant homes filled with visitors and endless food, but I barely experienced any of that.

As Filipinos, we are well known for marking holidays or special occasions with some sort of salo-salo or, from a Maranao perspective, a kandori with family and friends. Eid was no exception: big, hearty meals and desserts set out on the family home table, laughter and stories shared, adults handing out Eid money to the young ones.

This was a far cry from when my family lived far away from home for half of my childhood. We barely knew anyone, including fellow kababayans, well enough to get invited or host a party of any sort. Any relatives we did know who were around were too far apart to celebrate. A better livelihood abroad came with the price of losing touch with most of our extended family. For a time, that made it difficult for me to adjust and connect to them once we returned to the homeland for good. It felt like joining a conversation that everyone else had been having for years.

Now, every Eid is quality time spent in the homes of relatives happy enough to host and feed us. After the prayer, we followed my aunt and the others back to their house, where shoes gathered at the doorway and voices overlapped before anyone had even sat down. Someone was always asking who had eaten, who wanted a second serving, who had grown taller, who looked like whose mother and father. I did not suddenly become good at these gatherings. I still found my place near the side, close enough to listen but far enough not to be pulled into every conversation. Still, there was comfort in being there.

For years, I thought I had missed something. Maybe I had. But sitting there, in the same abaya I had worn for a second time, I felt less embarrassed by its repetition. The dress had followed me from one Eid to another, from one version of myself to the next. It was not new, but neither was the ache I carried, and neither was the longing to belong somewhere.

This time, I did belong.

A Rent Relationship

Sheilfa B. Alojamiento

The bill crumpled in hand, she goes back to her side of the house quite elated. Just a bit of honest self-appraisal, emphasis on what she might not be able to accomplish without the help of those who should be there doing the job that unfortunately fell in her hands, skipping miles and miles of what she understood as the major factors which, when articulated, would only succeed in painting other people in a bad light, and the landlady agreed to cut down rent. And if the gang could make it to another year, the woman had further proposed, it will be reduced some more.

It isn’t much. But it could buy them Coke and chicken roasted on the spit the famished ones had been hankering for. Not today. With that broad daylight execution barely forgotten, they may not just stroll in. She stuffs the bill inside her side pocket, bends to pick up a broom one of the helps must have thrown aside in haste, starts sweeping the yard.

The house is in a poor shape. Rust in all the likely places, the taps in the abandoned garden across the door no longer working, the canals jammed with decaying leaves, and the garage now their open kitchen a barracks of discarded objects. She gathers empty bottles and stows them among a corroded heap by the fence. The state of disrepair looks to her the general condition of the island municipality: inside the houses there’s not enough water; outside, roadside pipes spurt all day, making mud pools and flowing to the other side of the street.

The hall they are renting used to be a receiving room. The retiring couple have now retreated to the backside, the man hardly outside the house, would not even go out of his room to join Christmas dinner. The back rooms are late additions to the main structure, the wood quality and the lack of design suggesting reduced circumstances if not siege reaction: the roof hiding behind the taller façade, the windows and doors screened, the latter a belated solution to the malaria epidemic that lasted until the late eighties. In the nineties and on until the close of the last century, the town was host to some of the most intense gun fights with a rival clan, now the town’s overlords. Clan wars, her women friends from the island like to tell her, make any member of the involved party vulnerable target: which should explain the layout of the house, she reminds herself as she looks in. A hall with a small bedroom on the fore side, a comfort room in the rear, and in the big middle, the abandoned master’s bedroom on the other side of the wall. The big room has been given over to the two helps whose duty it must be now to guard the outer flanks, and her room which leans closest to the road, the designated sentry post, she the front guard, lookout, and grenade catcher rolled into one. She chuckles, tamps the broom’s base against the window ledge, her mind following the two young girls her neighbors who should be full of activity right now. The landlady has a retail store and a food stall across the school at one end of the street.

The rented space was vacated a few years back. Peace activists buckling under the weight of feudal power, funders and INGOs sent out of the town or pulled out. The withdrawal followed a violent face-off that had offices shutting down overnight and was attended by a heavy torrent that sank the town knee-deep in murky waters, the rebel scion son’s family gathered in a lifeboat and shuttled to a waiting chopper. She has no real recollection of that episode: she was not there. The clampdown was so that the yard of a police officer, the chief investigator, was lobbed with a grenade, slow ball mode. The residents suffered minor physical injuries, but that was enough to get the message across. Order returned to the town, and as the streets and the town plazas quieted, the mosques and the Arabic schools came to life once more, the faucets that dried up for days to weeks running again, the prayer rooms bathed with light.

She resumes sweeping, her back to the wooden gate. Her side of the yard, she can’t help noticing, is the shadowy part, nanka and papaya trees with fruits hanging down like a woman’s fecund belly and breasts, a laurel tree with arms extending far and wide over the main house’s top roof. Abode of the spirits, according to the girls with shaman mothers, reminding her, too, that bad men had been felled there, and one such man used to occupy the bedroom she now sleeps in.

Tau mangih?

A killer. The family’s private guard.

On her first week in the place, scarved girls would pay her visits, each heavy with good intent.

There’s nothing in the Holy Book that prohibits love between two women or two men.

You know what they do to people like you? Dig holes neck-deep to put you there, to be stoned to death.

She dared not give voice to her own thoughts. People will always distrust other people, women will always hate other women.

Berkis, an old hand in the office rental circuit, was among her first visitors. Unlike the landlady who was pleased she repainted the book case and coated the grey cement floor tile red, Berkis glowered.

You are upping the value of their house.

Party to the INGO community that decamped, Berkis vacillated between helping her and shooting her down.

When you leave, they will raise the rent to four.

That she found a room she could fix on that side of the town is to her Divine Providence enough. The last one she rented had but a hole on the floor for a washroom. She pulls out a black sack from under a table, returns to the side of the fence, unearths more bottles from underneath the discarded iron gate. The sight of rust distresses her. In a rotting back shed is an old Ford, battered beyond belief. She puts the heap of glass and plastics in, takes the sack back into the kitchen. The girls from the seaport side might want them. Loose change to pay for a stick of cigarette, perhaps a sachet of shampoo or a pad of sanitary napkin. She ties the sack’s end and sets it down beside a crumbly corner table, another object of strenuous kitchen debates on that side of the house. The rogues want it dumped in the backside, she charging them with the task of seeing to its bone reconstruction, even diverting food money for the purchase of a saw and a hammer.

Bukun kami apuan mu! Bukun kami kalpintil!
They’re not her grandfather, and they’re neither carpenters’ nor farmers’ daughters. So the tool box has been sitting there underneath the table, gathering dust, sheltering mosquitoes. She sweeps the pile of leaves into a tin pan, scatters them underneath the hedges. It seems to her that even a little thing like garbage segregation will take long sticking in what she often disparages as a hit-and-run-slash-and-burn economy.

Jolo, please understand, was always an open harbor. I do think conservatism is more characteristic of land-locked people.

Was that a dissociative statement, a classist slur descriptive of those tied to the land like her grandfather? But that piece rather stuck. The speaker, a lady lawyer, took the ax, too, when her client the plaintiff to the landmark case later retracted her indictment against politicians’ sons and blamed activist attorneys instead for forcing her to testify.

To her who wasn’t there when this confrontation was unfolding, this lawyer-activist had retorted: You can’t call it a class.

She made the mistake of asking, where are the intelligentsia? Insisting, and hedging around that chestnut that shouldn’t it be the intellectual class’s role to question incessantly the medieval order of which conservative religion is to blame, how come there’s so little class analysis going on around here. She was struck shut. Whatever powered that upsurge of people into the streets demanding the felony be stopped, this lawyer advanced, class analysis it was not: they were just good people trying to do good. So there. That splitter-ism arose from a much older democratic tradition, maybe all the way from Greece past Constantinople, and that was what gathered people regardless of where they were educated or raised.

In the sixties, her interlocutor had further reminded her, Jolo was your progressive as progressive went. It was a mark of prestige if one taught here.

So it was. She stows away the broomstick and the tin pan, takes a rug. Clears the table’s grimy top of its peculiar burden: a detached side mirror, a barber’s comb, a lost buckle, a discolored baseball cap: boudoir gear when going out for the kill. She drags a toolbox from underneath the rickety side table, hauls the shabby piece to the middle of the garage floor. Her thoughts go back to the time the lady lawyer recalled to her. Students from the pioneering college in the island winning in national debates and international swimming competitions with but the wide Sulu Seas and a now forgotten corner pond by a stream as training ground. One such debate the local disputants won went, Should the Communist Party of the Philippines be legalized? That must be around the time when Desdemona Tan, Misuari’s first and late wife, taught here and was passing around among a select crop of students Mao’s little red book.

The houseowners, too, had backed that lady lawyer’s reportage. Over Christmas dinner where she was asked to sit, the landlady talked some.

Yes. Walden Bello was a family friend. He would go with them to their farm, play the violin to the scent of a ripening durian fruit.

And during Lent when Catholics would stage the Station of the Cross, the woman further recounted, all the shops would be closed, the streets cleared of pedicabs and cars for the procession of penitents to pass.

Before then, she had no kinship with anyone that belonged to that house. No working relationship with the scion son the lady’s kinsman and the whole assemblage of UN-propelled rallyists, being herself marked out a fifth-columnist of a kind, left of left, as those center of left and right like to chastise her, again and again. But perhaps it was that that conveyed her there, her being left of left fringe, and for being tardy, too, past a thicket of convoluted and interlocking directorate.

The previous occupants that rented the place, though no blood kin to the landlady, belonged to that scion son’s camp. With the defunding, they, too, had to decamp. If she was to go by the same rule of thumb, she, too, should be allied with that scion son’s camp, and therefore, with the landlady. For one, the office that employed her before coming to the island, as jealous city friends liked to tell her, was his handler. Fronted money for the campaign for which he made a name for himself. When she took on a job for that office, she was barely concerned that she would be arguing for his case. The name sucks, she thought then. Could not quite believe anyone from his background capable of bringing down the house. That he was cousin to a queenly lass she hasn’t as yet paid enough tribute to, did not help further. Bad times. For she had needed the job. And wanted it, too: it would bring her back to the island. It was after her report was out when praises and cavils started coming that she proved her hunches right: it was a hack job that was a perfect match for someone reckless and suicidal enough as she was. Journalists who wanted to go by the rules would not want to cover his case. Too sticky, and would likely ban them from going back to the island for good.

They were banned, anyway, regardless of him.

She was not really new to that island. Had set foot there twice before, different times each: first, as a fledgling journalist in the Solidarity network of old when she was only twenty-two; and second, a decade after when a Manila office tasked her to assess local implementation of a thoroughly harmless mainstreaming program. She did not stay longer than a day during each time. The island always touted as a dangerous place for strangers. It might have been and it is still. But she has her doubts now. It could be that it was her hosts that made it so: it’s not so much that they want them out quick and safe as they don’t want them picking ideas from around the place.

What you doing? You ran out of fuel?

Her head turns around. Aisa, the darker of the two helps, standing over her shoulder, a smile on her lips, a plateful of bread and pancit guisado in hand.

Eleven o’clock and no customers. We’ve not been faring well these days. The school banned their girls from going out for lunch or a Coke.

The hammer suspended above her head, her jaw drops an inch lower. She sets the tool on the ledge. Before she can wipe her hands and ask the girl to wait while she fetch a bowl, Aisa has laid the food beside the hammer and has turned on her heel.

Return the plate later. The madame won’t like it if I stayed a minute longer.

The girl waves a hand, skitters away.

She stares after the running figure, the week’s news flashing anew before her eyes: An irate father gunning down one of their friends, the girlfriend dragged home wailing, the bewimpled principal castigated: if her school could not teach their girls to know right from wrong, what are they wasting their wads in tuition fees for?

She was away on the day that it happened. When she arrived, straight from an offshore trip, she had pulled out a thin sheaf from a bundle she deposited in the living room and headed to the school to hand her librarian friend a copy. Instead, she was summoned to the school principal’s office.

The parents entrusted their children’s minds to us. We therefore want to make sure that everything our students read will not bring them to harm’s way.

She instructed the gang to keep away and to not ever bring in even as tag-along girls who go to that school on one the end of their street.

Turning to the window ledge, she suddenly can’t decide if she should take the hammer or the plate. Could it be that the landlady’s offer for them to stay as long as they could make it was some kind of a consolation prize for those like her who might not have long to go? For the longest time the town’s councilors have been cleaning up every street corner, closing down video bars and the ramshackle pub houses. Lately, too, next to bad women and street bums the four-lettered acronym that in the vernacular translates to sexual perverts, has also made it to the local mutawa’s coffee talk. Could the woman be actually saying that she, too, will have to evacuate soon?

Damn. That she should always be banished wherever she sets foot in.

She lifts the food, goes inside, the wood frame the gang tacked up saying welcome in the vernacular reminding her of her own unwanted presence in the town.

Maytah nakalanjal? One gatekeeper queen had accordingly demanded when her lurking around in a garbage-filled village on seawater earned notice. How did that load of shit get in? As though the town was not an open port where stevedores, fishermen, merchants, and felons arrived and departed as they wished. She otherwise loved it there. The open-house ethos, the men indulgent, and interested, handing their girls to her lettered tutelage.

Until they’re done with school! Better with girls than coming home pregnant!

In the middle-income residential section where they now hold office, the houses are closeted. Embankments, really, that pretend to be houses: fenced in behind concrete walls as tall as the roof above one’s head. If she accepts a ride, the men always make it a point to tuck their pistols in their waists as they open and close the car’s door for her. She puts the plate on the table, images of the land and other lands racing through her mind. How did she get here in the first place. For friends she used to know it was like flying to Pluto she could as well have disappeared into the ether and be not heard from ever again.

So it was not true? This shit our shaman friend was saying, about men in black hoods, carrying a blade each, looking for us?

If you believe all the crap that crazy woman is saying, you are the worst dragadik of us all.

Many of the neighbors of the host family in that portside slum were from provinces north and south of the island who hardly cared what went on by royal statute.

Kanila ra yan. It’s all theirs.

The object of scorn was the last recruitment, the realm under siege, loyal subjects were being called once more to come forth. Crossdressers and parlor beauticians crowded in hideouts, pushing each other out to join a truckload of soldiers about to be shipped to Sabah.

You are the men, not us!

Better in jail among thieves, murderers, and drug addicts than in Lahad Datu. It was not their war.

The ladies of the court had accordingly made rounds, crouching along under the low houses, collecting a peso each from every vendor and pedicab rider, a membership ID with a royal seal as inducement.

Di’. Di’ aku magad kanila yan. No way. Nobody’s going with them their royal soldiers.

She herself could not gather the oafs to send them to a forum outside the island, help make sense of a claim that interested other people in academe and all those good places more than it concerned them.

Ipamungluh hadja kita. We’re just cannon fodders to them.

Even to this time, as she sits there before a plateful of white bread and chicken guisado, she can’t quite get over the thought that she made it there, among that roguish class, past all those guardian queens’ dragnets.

How did you do it? You shuttle between here and there like that godforsaken island was your park when we can’t even get near their docksides!

They knew, of course, who helped her get into the quarry. Which is why they snubbed her as that warlord’s son had snubbed them. He barred a red-tagged women’s organization from addressing his besieged constituents during a climactic confrontation, prohibited a news bureau from covering what it wanted independently investigated lest reports will not only hurt the outraged Overlord but will hurt him as well.

If that doesn’t make him an opportunist activist and a fraud, what could he be?!?

Was it from these flanks that the Abandon policy emanated? She can’t help but recall her own desertions.

Low voices from the street startle her. She rises, walks around to the other side of the table, leans across the window. The hammer on the ledge bites her elbow, and she glances down at the mess on the other side of the window: a toothy cutter, a toppled furniture, three thin limbs waving, one lying aslant on the garage floor. The miserly sight makes her think of piyanggang manuk, and Berkis’ account returns to her: an old beggar-woman, an undocumented case.

They had her body bleached on the shore! Legs spread wide, feet tied to tree twigs, a pointed stick stuck between her thighs!

On the road three cropped heads slouch by. Downtown chaps who frequent the front gate of the private high school at the T-end of the road. Probably went a-courting. Either they didn’t know the likes of them were under a ban in the vicinity or went there to defy gravity. Take-back- the-night-take-back-the-day-policy. Good luck to you. She goes to the cabinet, reaches for the tin pot on the bottom ledge, sits on her heels to plug the cord’s end under the front window.

Last she heard, the scion son had been arrested. She has not been in contact with her friends for quite a while, her leaving the city and landing in the island the scion son and his friends fled a bad joke on both herself and them. In that famously secular city, she could not even gather a decent number of people for a drink. Here, she can still make herself tea and cruise around the shelled place uncovered, unabashed, and unambushed.

So far.

Let that banyaga be. We can still use her.
Is the three thousand in rental money the equivalent of her modicum of usefulness? She is horrified. Ironic, too, that where scion sons lost agency, she herself found ground.

Or, did she?

Abandon Jolo. She did not know there was such a dictum in the wake of the mass expulsion. Now she feels like that evil bird charged with checking on the land in the aftermath of the flood.

Since she moved to that side of the town, she has noticed as well that the portside girls, mostly vendors’ and pedicab drivers’ daughters, have not been dropping by. Frequenting the office are the bootleggers’ and policemen’s neighbors who could easily get off the hook if their motorcycles were impounded or when caught red-handed after a good chase. Most of the portside tenants are also from a tribe which the ruling group in the island likes to dismiss wholesale as a shifty sort, magpindapinda hulah.

She quails at the derogative. If she thought of it, most people she communed with all her life were really of the sort. Wayfarers, travelers, merchants, and laborers who wandered from town to town, from country to city, then back; roving bands and lone rangers who pitched tents wherever night might catch them or wherever there was a thatch house or a tent that had room for the likes of them. In a way she’s of the tribe, too. She knows as well that in another time, that was the way to live.

The phone on the table buzzes and she reaches for the flaming device. Berkis. Isn’t she in hiding? That one only calls when in town.

How are u, Bro?

She texts back. Come to lunch. I’ve got news.

Proj. extnsn apprvd?

Na-ah. Rental down to 3t. Let’s buy piyanggang manuk. Fetch the thugs.

No reply. The big shot grousing again.

Berkis always identifies down rather than up, rejects anything that stinks of privilege. Scraggly hair, broad-backed and on the shorter side of life, the chap walks with a slouch and bends her head as though she had horns and would gore anyone who got in her way.

It’s her Valium-addled brain, a girlfriend had let on. Berkis turned to drugs after leaving rebel base. Friends in the left flanks had Berkis rehabilitated, even had her sent back to a school in Manila. Returned to the island a medik. In the mid-eighties when secessionists boarded the country’s carrier to talk peace with the Cory government, her father opted to stay behind. Berkis stayed with him, chopping wood and hauling water. When way later the rebel base was bombarded following a flag-raising fracas, Berkis went on a pilgrimage, lone ranger fashion, to bring food to the starving fighters. Half a sack of rice on her back, the soldiers let her through, not raising a gun to stop her. To friends and family members who know Berkis well, it was just another of her episodes.

At least she did not try to cut her wrists again!

Berkis would tell her later that her father had lost his apportioned house and lot to the clan that ruled that side of the town, the scion son’s own father paying them a visit. The housing project was for the families of ex-combatants, those who had been displaced by the war. Berkis deduced that the patriarch had compared notes with Catholic business or he would have not known who had been defaulting on their monthly amortizations.
She actually likes Berkis. The cad adores Kurt Cobain. Adores him more for shooting himself in the head. Dislikes pious words and distrusts good intentions. She sometimes suspects Berkis would cheer if she got beheaded. She heard her gloat when a journalist of some repute got kidnapped.

Hah. I saw the video. She was in a hammock, naked, surrounded by her captors. Good for her. What business she got, anyway, coming here for a good story.

She told the gang that beside all the ladies and most of the gents, she much prefers the company of Berkis.

At least with Berkis, I need not watch my back, only my front.

Brows darkened.

Don’t be too sure. With people here you’ve got to watch both your front and back all the time.
Spouts of smoke rising, the lid dancing, she unplugs the power cord, places the pot on the table. The phone beeps again.

An unknown number. Metah peboreyt topic mu in reyp? Bunnal na-gangrape kaw?

The personal affront barely grazes through. Must be one of the gang’s downtowner friends, someone she passed on the street ungreeted. They just circulated copies of their print publication through their own underground network. At least they’re being read. That’s more than what the Mother Superior on the T-end of their street could do for them. Whoever she is… She? Why is she so sure that it’s another woman sniping her? Oh, well. It’s always women against other women. Even rape as a castely claim, it’s still women versus women.

Our men don’t rape women from other tribes! Our women are clean. We use soap and water when washing ourselves!

The slightest of smiles lightens her face, and she drops a bag of tea into the steaming cup. What she’s thinking is, we all get raped. We all get trounced. For good measure. One who walked in people’s marches with her and survived incarceration in a log house at the backside of a military outpost, had shut her up, too.

Don’t call me rape survivor or rape victim or rape whatever. My life stretches long and wide before and after that!

Putting away the tea bag, her left hand fumbles for the money she stowed in her pocket. She’s thinking of the landlady’s gift of house to her. Recently, kidnappings are on the rise again. Some unholy hours of the night when she would be alone, she would be wakened by the roaring of motorcycles. This would be followed by staccato gunshots. In the morning, the radio would report another shootout, another holdup with homicide, and by and by, everyone would be calling to fill her with detail. As the landlady and her entourage retreat to the rear, she, on the other hand, lurches forward toward the front road.

She takes a sip, carries the cup outside. From the other yard, Aisa is coming in, a slab of wood in hand.

For me? Firewood?

The madame said if the snack house don’t pick up she’ll give you one of the formicas. I’m praying it won’t.

An impish grin widens the longish face.

She laughs.

The girl has been brought to the island by a poor relation, a nephew who introduced Aisa to the house as his woman. The thirtyish man himself, a polio case, had served the family and the now absent children. If she were to write down Aisa’s story, she would not know if the girl’s been abducted for marriage or raped, then courted to be one of the aunt’s househelps.

When I woke up, we were already lovers.

The girl is bent low, one hand trying on the saw.

I’ll do it. I’ll just finish this. Tea?

The saw is replaced on the ground and the girl rises to her feet. I’m a coffee girl and I happen to like the coffee here.

Fingers clawing air, the girl turns around, leaves.

As she crouches to pick up wood and saw, her phone rings, and she goes in again to take the call.

Bro, we’re on our way there, Coke and piyanggang manuk and bagfuls of junay and piyutu and siyanglag and everything fresh and warm. Just prepare the five-hundred refund as that’s for my boat ticket when you see me off tonight. Okay?

She switches off the phone cold with anxiety. There goes another long-distance runner.

She walks to the front gate, not throwing a glance at the tangled heap on the garage floor and half-expecting to see a cab brimming over with heads reared one on top of the other.

Like cactuses in a desert. Her glance falls on the corroded steel gate leaning against the side fence. It has been replaced by bars of timber nailed inches apart. Unlacing the iron chain tying the two sides together, she pulls the right handle open, kicking with her toes a stone that gets in its way. She hardly has time to understand gates. This one she always regarded as she would anything one passes but not worth looking back at to say thank you to. Tacked together without thought of workmanship or value, it might have been made especially for her. A woody contrivance of transparency, something her grandfather might have made himself. From her bed inside, she can see through the intervals of wood what goes on outside, and may see anything or anyone that slips by. Just as she can be seen by anyone from outside. Isn’t that next to an open-country policy?

She smirks. Right. Open-country, open-fire policy. She takes a woodcut and plants it against the bottom edge of the wooden scaffold, goes in. Noises from outside the hall rise as she is zipping her pants. Berkis and the portside fellas yelling her name, knocking on the window panes and shaking open the loosely latched bathroom door.

Uyy! Buhi pa kita duun?

She yells back, thumping the heel of her palm against the backside of the door.

Yari pa! Naglalanuh pag-intawan sin manusiyah!

She takes time to give the stain-speckled tile floor a good washing, the hubbub soon settling down into a familiar chatter, objects falling onto the floor, glasses clinking. The sound of wood cutting makes her peer out. Forks and knives and palms raised high, a leafy bouquet laid out on the long table, frosty cold Coke sweating inside glasses. She rubs knuckles and exchanges hugs, the portside girls endlessly gushing like they can’t quite see enough of her. The hammer’s blows making her blood jump, she pushes her way through a barricade of love slowing her down, bends over across the window to look.

Outside, Berkis is stooped over the ungainly piece.

You a heartless one. Why did you leave this poor old woman here crying unhelped?

 

Du’a at Luha

Gamson Jr Mawallil Quijano

Humihilik pa man sa napakahimbing na pagkakatulog ang araw, gising na gising na ang mag-asawang sina Karim at Maymuna.

Nagtungo na ang dalawa sa ospital sa bayan ng Madinah dahil anumang oras ay magsisilang na si Maymuna sa kanilang unang anak. Halos isang dekada ring naghintay ang mag-asawang kapwa OFW bago sila biyayaan ng supling na kaytagal na nilang inaasam-asam.

Pabalik-balik ang lakad sa hallway ng ospital at pawis na pawis si Karim kahit fully air-conditioned naman ang paligid habang hinahanap sa listahan ng mga contact sa kaniyang cellphone ang numero ng kaniyang Ina’ na nasa Pilipinas. Tatawagan niya kasi ito upang sa wakas ay ipaalam na ang matagal na nilang itinatagong sikreto ng mag-asawa.

Nang malaman nina Karim at Maymuna na sila’y magkakaanak na, nagkasundo silang mag-asawa na pansamantala munang ilihim ang magandang balita. Naniniwala silang makabubuti itong ilayo sa al-‘ayn na posibleng magdulot ng pagkalaglag, katutubong deperensya at iba pang komplikasyong medikal sa kanilang iniingatang sanggol. Nais din nilang sorpresahin ang kanilang mga pamilya, lalo na ang kanilang mga magulang. Napagpasiyahan nilang mag-asawa ipaalam na lamang ang balitang ito sa mismong araw ng panganganak ni Maymuna.

Nang nakausap na ni Karim ang kaniyang Ina’, lubos itong nagulat at napaiyak sa tuwa nang malamang magkakaapo na siya sa kaniyang anak na si Karim.

“Allâhu Akbar! Allâhu Akbar! Alhamdu Lillâh! Daig ko pa ang nakatanggap ng malaking halaga ng pera sa balitang ibinahagi mo sa akin, anak. Labis ang aking kagalakan para sa inyong mag-asawa. Sa wakas ay ipinagkaloob na sa inyo ng Allâh ang matagal na ninyong hinihintay,” masayang sambit ng Ina’ ni Karim.

“Karim, anak, nasaan na ang asawa mo? Maaari ko ba siyang makausap kahit saglit man lamang? Kumusta na ang kalagayan niya ngayon? Anong oras siya manganganak?” sunod-sunod na tanong ng Ina’ ni Karim, na halatang nagagalak ngunit nag-aalala rin para sa kaniyang manugang.

“Alhamdu Lillâh, Ina’. Sa ngayon po ay maayos naman ang lagay ng asawa ko. Nasa waiting area na po siya ng delivery theatre, Ina’, dahil sabi ng kaniyang doktor, malaki ang posibilidad na mag-CS siya. Labis akong nag-aalala, Ina’, alam n’yo naman po na mayroong iniindang karamdaman sa puso ang aking asawa. Tulungan n’yo po akong ipag-du’a ang kaligtasan ng mag-ina ko,” pakiusap ni Karim sa Ina’.

“Asahan mong ako’y magdu-du’a kay Allâh na matiwasay ang panganganak ng asawa mo at ligtas silang dalawa ng apo ko. Tanging Allâh lamang ang ating lakas at masasandalan sa mga oras na ito. Balitaan mo ako agad, anak,” dagdag ng Ina’ ni Karim.

Sandaling nagpaalam si Karim sa kanyang Ina’ na kausap sa telepono.

“Ina’, magpapaalam na muna ako. Kailangan pa ako ng manugang ninyo at mayroon pa akong mga papeles na kailangang pirmahan sa nurse’s station. Ilang saglit na lang mula ngayon ay ipapasok na rin sa delivery theatre si Maymuna,” pamamaalam ni Karim sa Ina’.

Pagkatapos pinirmahan ni Karim ang Informed Consent Form para sa cesarean section ni Maymuna, agad itong bumalik sa kaniyang asawa na nakahiga sa stretcher sa waiting area ng delivery theatre. Pumapatak man ang luha sa pisngi at nanlalamig ang mga kamay sa kaba, takot, at iniindang sakit sa bandang sinapupunan, ay nagawa pa ring makipag-usap ni Maymuna sa asawa.

“Lasa, ang hirap pala ng pakiramdam ng manganganak. Parang pasan ko ang langit. Akala ko handa na ako, Lasa. Ipag-du’a mo ako kay Allâh na sana’y matiwasay ang aking pagluluwal sa ating pinakahihintay na anak,” maluha-luhang pakiusap ni Maymuna habang mahigpit na hawak ang nanglalamig ding mga kamay ng asawa. 

“Ilang oras na lamang at magiging tatlo na tayo, Lasa. Sigurado akong mag-uumapaw sa tuwa sina Ina’ at Ama’ sa oras na masilayan na nila ang kanilang pinakamamahal na apo na matagal din nilang ipinag-du’a at hinintay. Titiisin ko ang bawat kaba at sakit para lamang makita ko ang ngiti sa inyong mga mukha, lalo na sa iyo,” dagdag ni Maymuna.

Mahigpit na niyakap ni Karim ang asawa, wari’y ayaw muna itong pakawalan. Pagkatapos ay marahan niya itong hinalikan sa noo at saka sa nakaumbok nitong tiyan, habang ang kaniyang puso ay puno ng pagmamahal, pag-asa, at pananabik sa kanilang munting supling.

“Hindi kayo pababayaan ni Allâh, Lasa. Nandito lang ako para sa iyo palagi, ah. Mahal na mahal kita at ang ating magiging anak. Sabik na sabik na akong makita siya. Magiging masaya tayong tatlo kapag magkasama na tayo,” huling wika ni Karim bago tuluyang ipinasok na ng mga nurse si Maymuna sa loob ng delivery theatre.

Balisang nakaupo si Karim sa waiting area sa labas ng delivery theatre. Nakayuko ang kaniyang ulo habang mahigpit na pinipisil ang sariling mga daliri. Maya’t maya’y tatayo siya at maglalakad nang ilang hakbang bago muling uupo.

Patuloy na gumagalaw ang kaniyang mga labi sa pagbigkas ng iba’t ibang adhkār, umaasang kahit paano’y maibsan nito ang kaba at pag-aalalang bumabalot sa kaniyang dibdib. Sa mga sandaling iyon, tanging du’a ang kaniyang sandata at sandigan, taimtim na hinihiling kay Allâh ang kaligtasan ni Maymuna at ng kanilang magiging anak.

Sa tuwing may lalabas sa pangunahing pinto ng delivery theatre, napapabuntong-hininga si Karim at agad na napapatayo mula sa kanyang kinauupuan. Sa bawat pagkakataon, inaakala niyang iyon na ang doktor o nurse na maghahatid sa kaniya ng balita tungkol sa kalagayan ng kaniyang asawa at ng kanilang sanggol.

Samantala, sa hindi kalayuan mula sa kaniyang kinauupuan, bumabalot sa kaniyang mga tenga ang halos sabay-sabay na iyakan ng mga bagong silang na sanggol na nasa nursery.

“Mahal kong anak, malapit na kitang makita at madama ang init ng iyong katawan, marinig ang iyak at makita ang tawa mong magbibigay ng kaligayahan sa amin ng iyong Ina’. Sana tinig mo na ang susunod kong maririnig. Yā Allâh,” bulong ni Karim.

Isang malakas na abiso ang biglang umalingawngaw sa kaniyang paligid.

“Ting… ting…ting… ting… Attention, please. Code blue, delivery theatre! Code blue, delivery theatre! Code blue, delivery theatre! Ting… ting…ting… ting…”

Biglang napatayo si Karim mula sa kanyang inuupuan. “Code blue… ano kaya ang ibig sabihin noon?” tanong niya sa sarili.

Mula sa salaming dingding ng delivery unit, natatanaw ni Karim ang mga nurse na nagmamadaling pumasok sa loob ng delivery theater. Lalo pang nadagdagan ang kaniyang pag-aalala. Bumilis ang pintig ng kaniyang puso at tila nanigas siya sa kinatatayuan. Tagos hanggang buto ang panginginig na bumalot sa kaniyang katawan.

Hindi niya maiwasang mag-isip ng kung anu-anong posibilidad. Subalit agad niya iyong itinaboy sa kaniyang isipan at mahigpit na kumapit sa patuloy na pagsasagawa ng du’a, umaasang ligtas na malalampasan ng kaniyang asawa at anak ang sandaling iyon.

“Yā Rabbiy, wala sanang masamang mangyari sa aking asawa at anak,” du’a niya habang pinipilit labanan ang kaba.

Pagkalipas ng halos isang oras, lumabas mula sa delivery theatre ang isang babaeng nakasuot ng puting gown na mayroong stethoscope na nakasabit sa kaniyang leeg.

“Husband of Mrs. Maymuna!”

Para bang huminto ang pag-inog ng mundo ni Karim nang marinig ang pangalan ng kaniyang asawa. Agad siyang napatayo at mabilis na lumapit sa nasabing babae. Naghahalo ang kaba at pananabik sa kaniyang dibdib habang paulit-ulit niyang pinupunasan ng dalang puting face towel ang pawis na namuo sa kaniyang noo.

Sa loob ng ilang sandali, tila naging napakahaba ng bawat segundo. Nakatuon lamang ang kaniyang paningin sa babae, naghihintay sa mga salitang maaaring magdala ng pinakamalaking saya o pinakamalalim na pangamba sa kaniyang buhay.

“Ako po, Doktora! Ako po ang asawa ni Maymuna. Kumusta na po ang aking asawa at anak? Ano po ba ang nangyari kanina sa loob? Bakit po nagmamadali ang lahat?” nauutal-utal na tanong ni Karim, bakas sa kaniyang mukha ang matinding pag-aalala at pananabik na malaman ang kalagayan ng mag-ina niya.

“Alhamdu Lillâh, sa pamamagitan ng cesarean section, ligtas naming nailabas ang inyong anak na nasa mabuting kalusugan naman. Nasa nursery room na siya ngayon at kailangan pang obserbahan ng mga nurse alinsunod sa hospital protocols….”

Hindi pa man natatapos ang doktora sa sinasabi, napasigaw si Karim ng “Allâhu Akbar!” at agad itong nagpatirapa sa sahig ng kaniyang kinatatayuan. Ito’y sumujud ng pasasalamat habang parang magdamag na umuulang langit ang kaniyang mga mata at paulit-ulit na binibigkas ang Alhamdu Lillâh.

Hinayaan muna siya ng doktora bago muling nagpatuloy sa pagpapaliwanag. Umahon si Karim mula sa kanyang sujud at muling nakinig na tila bang naalisan ng tinik ang kaniyang dibdib nang malaman na isinilang na ang kanilang anak.

“Ngunit… huwag ka sanang mabibigla… Kanina, nag-cardiac arrest ang inyong asawa matapos naming isagawa ang CS para mailabas ang inyong anak. Iyon ang dahilan ng pagmamadali sa loob. Ilang ulit din kaming nagsagawa ng CPR sa kaniya para sa pagbabalik ng tibok ng kaniyang puso. Napakahirap ng kaniyang pinagdaanan sa panganganak dahil na rin sa pagkakaroon niya ng karamdaman sa puso. Kinailangan din naming siyang i-intubate para maayos ang daloy ng kaniyang paghinga. Sa ngayon, ililipat muna siya sa ICU para sa masinsinang pag-aalaga.”

“Ilang minuto mula ngayon ay maaari mo nang masilayan ang iyong anak mula sa salamin ng nursery. Ngunit ang iyong asawa ay hindi pa maaaring bisitahin sa ICU. Aabisuhan ka na lamang kung kailan mo puedeng bisitahin ang iyong asawa. Maiwan muna kita, may iba pa akong aasikasuhin,” paliwanag ng doktora sa kaniya.

Napaupo si Karim sa isang silya ng ospital habang nakatitig sa kisame, hawak-hawak ang kaniyang ulo. Pulang-pula ang kaniyang mga mata. Naghalo ang kagalakan at pangamba sa kaniyang puso’t isipan. Wari isang bangungot na nais na niyang magisingan ngunit hindi niya magawa.

“Mahal kong Maymuna… Yā Allâh… huwag N’yo po kaming pabayaan. Huwag N’yo po muna kunin ang asawa ko. Kailangan ko pa po siya—kailangan po siya ng aming anak. Pagalingin N’yo po siya…” paulit-ulit na du’a ni Karim, tuluy-tuloy na pumapatak ang mga luha mula sa kaniyang mga mata. Basang-basa na rin ang kaniyang damit sa pawis, sipon, at luha.

Makalipas ang ilang sandali, mula sa salamin ng nursery nakita niya ang kamay ng isang nurse na nagwawagayway sa kaniya at itinuturo ang kaniyang anak na nasa hospital bassinet. Mayroong nakatutok na ilaw na animo’y unang sinag ng araw na sumisilip sa bintana ng langit pagsapit ng bukang-liwayway. Sa wakas, nasilayan na ni Karim ang kaniyang matagal nang hinihintay na anak.

“Waaah! Waaah! Waaah! Waaah! Waaah! Waaah!”

Huminto ang mundo ni Karim nang marinig niya ang unang iyak ng kaniyang anak mula sa maliit na siwang sa salamin ng nursery. Ito ang tunog na halos isang dekada niyang walang humpay na ipinag-du’a na marinig. Ngunit sa araw na dapat sana’y puno ng saya, ang munting tinig na iyon ay tila naging himig ng pagdadalamhati.

Naglalaro sa kaniyang isipan ang tanong na pumipiga sa kaniyang puso. Napaisip siya kung umiiyak kaya ang kanyang anak dahil naramdaman niya ang sinapit ng kaniyang Ina. O ang kaniyang unang iyak ba ay pakikiisa sa pagdadalamhati ng kaniyang ama para sa kaniyang Ina’ na nagsakripisyo ng sariling buhay upang maibigay ang kaniya.

“Alhamdu Lillâh… pinakamamahal kong anak… isinilang kang malusog… aking munting prinsesa… Ikaw ang bukud-tanging napakagandang biyayang nasilayan ko ngayon! Kaytagal ka naming hinintay ng iyong Ina’. Ako’y lumulutang sa ibabaw ng ulap, anak. Sana’y pangalagaan ka ng Allâh,” bulong ni Karim na nakahaplos ang palad sa salamin ng nursery.

Ngunit ang kaniyang kasiyahan ay natabunan naman ng pangungulila dahil sa sinapit ng mahal na asawa. Ang kaniyang puso’t isipan ay nahahati sa pagitan ng pag-asa at sakit,  wari isang niyog na nabiyak sa isang malakas na hampas,  ang bao’y nagkahiwa-hiwalay at hindi na kaylanman maibabalik sa dating kabuuan.

“Mahal kong Maymuna, akala ko sabay tayong iiyak at magsasaya pagkapanganak mo. Akala ko makikita ko ang mga ngiti’t tawa na mangingibabaw sa iyong mukha matapos ang lahat ng iyong paghihirap,” wika ni Karim, pilit na binubuo ang basag na pangarap.

Samantala, nagsisimula nang magtakip-silim nang sabihin ng isang nurse kay Karim na maaari na niyang maiuwi ang kanilang anak. Hindi nagtagal, dumating na rin sa ospital ang isa niyang kaibigan na kagagaling lang mula sa trabaho at ito na ang nagmaneho ng kanilang sasakyan pauwi sa munting apartment na inuupahan nilang mag-asawa.

Mag-isa niyang inalagaan ang kanilang sanggol, subalit hindi siya lubusang nag-iisa. Nariyan ang ilang lalake nilang kaibigang mag-asawa na kapwa OFW rin. Sa tuwing naka-off duty, ito ay kusang tumutulong sa pag-aalaga sa kanilang anak, bagay na nagbibigay sa kaniya ng kaunting ginhawa sa gitna ng mabigat na pagsubok na kaniyang pinagdaraanan.

Nabibingi si Karim sa katahimikan ng kanilang apartment maliban sa iyak ng kaniyang anak at himig ng bawat adhan mula sa mga malapit na masājid sa kanila, ang tanging nagbibigay-buhay sa tahimik nilang apartment na dapat sana’y puno ng kasiglahan at pagmamahalan.

Pinapatulog ni Karim ang kaniyang anak sa duyang gawa mula sa mga hibla na mismong hinabi ni Maymuna habang ito’y nagbubuntis pa sa kanilang supling. Bawat hibla ay alaala mula sa kaniyang asawa. Habang marahan niya itong dinuduyan, hinihele naman niya ito sa pamamagitan ng isang lalangan na siya mismo ang sumulat.

Anak ku kalasahan ku
Pag duduyag duyagan ku
Tangis, katawa, uyum mu
Mussa’ ha pangatayan ku
Anak ku, ayaw masusa
Hi Ina’ Ama’ kaymu yari ra
Pahaluk kaw, rayang, lasa
Pagbati’ mu manaw kita
Jantung ku, tuwg nakaw, rayang
Hi Ina’ Ama’ kaymu naglalangan
Duwaa ku tattap pa Tuhan
Lumaggu’ kaw tau bar-īmān
(Aking anak, pinakamamahal
Tigib sa galak, pinapalaki ko sa layaw
Iyong hikbi, tawa, at ngiti
Mga perlas sa aking dibdib
Anak ko! Huwag kang maligalig
Iyong Ina’ at Ama’ nasa iyong tabi
Magpakahimbing ka, aking mahal
Paggising mo’y tayo’y mamasyal
O, aking puso! Tulog ka na, aking mahal.
Hinihele ka ni Ina’ at Ama’.
Panalangin ko sa Maykapal,
walang humpay.
Lumaki kang makadiyos, isang bar’iyman.) — (Filipino translation by Warina Sushil A. Jukuy)

Habang hinihele ni Karim ang kaniyang anak, pinagmasdan niya ito sa mahimbing na pagkakatulog. Hindi niya mapigilang isipin na tila nasa tabi lamang niya si Maymuna, kapwa nila hinihele ang kanilang anak habang magkahawak-kamay at magkasalo sa kaligayahan ng pagiging mga magulang. Ngunit isa lamang pala iyong guniguni. Sa pagbabalik niya sa katotohanan, unti-unting kinukudkod ang kaniyang puso.

“Sana’y nakikita ka ngayon ng iyong Ina’ na matagal kang hinintay at labis na minahal, anak. Naririnig niya ang bawat mong iyak, nasisilayan niya ang bawat mong ngiti’t halakhak, at nadarama niya ang init ng iyong munting katawan. Sana’y nagagalak siya habang kayakap ka niya nang buong pagmamahal.”

Pagkaraan ng ilang araw, nakadalaw na si Karim sa kaniyang asawa na nasa ICU. Habang naglalakad siya papalapit sa kuwarto nito, tila lumulutang siya sa hangin dulot ng matinding kaba. Malamig ang bawat hakbang, mabagal, mabigat, at puno ng pangamba. Bawat hakbang ay tila naglalapit sa kaniya sa isang katotohanang pilit niyang tinatanggap: ang muling makita ang pinakamamahal niyang asawa na hindi na kagaya ng dati ang kalagayan.

Nang muling makita ni Karim ang pinakamamahal na si Maymuna, para siyang pinagsakluban ng langit at lupa. Naroon ang asawa—ang dating masayahin, palabiro, masigla, puno ng pangarap—ngayo’y tahimik, walang malay, at may mga tubong nakakabit sa kaniyang bibig at ilong habang binabantayan at liyalangan ng tunog ng mechanical ventilator.

Hssss… ksss… hssss… ksss…

Bawat tunog ay kasabay ng patak ng luha ni Karim at taghoy ng isang batang paslit na sabik na sabik ring makita ang sariling Ina’ na siyam na buwang nagkarga sa kaniya sa sinapupunan.

“AsSalāmu ‘Alaykum, Lasa ko… Huling kita ko sa’yo, pilit mo akong binibigyan ng matamis mong mga ngiti kahit hindi maganda ang iyong pakiramdam.”

“Mā shā Allâh. Ang aking Lasa, kahit sa iyong pagtulog, napakaganda mo pa rin. Bakas pa rin sa iyong anyo ang babaeng unang nakilala ko nang ako ay dumalo sa Aqeeqa ng anak ng aking kaibigan sa Makkah—mahiyain, tahimik, at may mukha na tila laging nililiwanagan ng isang payapang ningning. Hanggang ngayon ay sariwa pa rin sa aking alaala ang unang pagkakataong nagtama ang ating mga mata. Sa gitna ng maraming tao at maingay na paligid, ikaw lamang ang natatangi kong napansin. Sa bawat sulyap mo, para kang tala na marahang kumukutitap sa kalangitan ng gabi, at sa bawat pag-iwas mo ng tingin ay lalo lamang akong nabibihag. Hindi ko alam noon na ang simpleng pagtatagpong iyon ang magiging simula ng paglalayag ng aking puso. Hindi mo namamalayan, unti-unti mo na pala itong binihag,” napangiti si Karim habang marahan na hinihimas ang mukha ng asawa.

“Naalala ko pa nga, Lasa. Marahil ay nabighani na agad ako sa’yo nang araw na iyon. Pagkatapos ng Aqeeqa, hindi ko napigilan ang aking sarili na tanungin ang kaibigan ko kung sino ka. Nang sabihin niyang pinsan ka ng kaniyang asawa, lihim akong natuwa. Pakiramdam ko noon ay inilapit na agad ng Allâh ang aking landas patungo sa’yo.”

“Hindi nagtagal, nagsimula akong magtanong tungkol sa iyong pagkatao, pananampalataya at pamilya. Nang malaman kong ikaw ay may mabuting asal, may takot sa Allâh at mula sa isang marangal na pamilya— lalo pa nang mabalitaan kong isa ka pang dalaga at kapwa natin bayan ang iyong pinagmulan, agad kong ipinaalam kina Ina’ at Ama’ ang hangarin kong ikaw ang maging kabiyak ng aking buhay. Hindi ko alam kung matatawa ka rito, ngunit wala na akong ibang nakita noon kundi ikaw.”

“Sa pamamagitan ng iyong pinsan at ng ating mga magulang, ipinaabot ko sa’yo ang aking hangaring ikaw ay maging asawa ko. Hanggang ngayon ay hindi ko pa rin malilimutan ang tuwang naramdaman ko nang malaman kong hindi mo iyon tinanggihan. Para akong binigyan ng lakas ng loob upang tuparin ang lahat ng aking mga pangarap.”

“In duwm wayruun piya-adlaw, in adlaw wayruun piyaruwm. Hindi ko pinagabi ang araw at hindi ko rin pinaumaga ang gabi. Tinawagan ko kaagad sa Pilipinas sina Ina’ at Ama’ at sila ay masayang naghanda kasama ang aking mga kamag-anak para puntahan ang inyong tahanan upang humingi ng pahintulot sa iyong Ina’ at Ama’. Marahil ay naging madali rin ang lahat dahil magkakilala pala ang ating mga pamilya. Hindi nag-atubili ang iyong mga magulang na tanggapin ang aming pamamanhikan.”

“Naalala mo ba, Lasa? Pangarap nating sa Pilipinas isagawa ang ating Pagkawin at Waleemah?  Nais sana nating makapiling ang ating mga mahal sa buhay sa napakahalagang araw na iyon. Ngunit dumating ang pandemya at tila isinara nito ang lahat ng ating mga plano. Nang makita ng ating mga magulang ang ating kalagayan, pinayagan nila tayong dito na lamang sa Madinah mag-isang dibdib.”

“Napakasaya natin noon, hindi ba? Hanggang ngayon ay sariwa pa rin sa aking alaala ang iyong mga ngiti sa araw ng ating kasal  at ang unang pagkakataong hinalikan kita sa noo at ikaw nama’y humalik sa aking mga kamay. Sa dami ng biyayang ipinagkaloob sa akin ni Allâh, ikaw ang isa sa pinakamahalaga. Ikaw ang mukha na ibinigay ng Allâh sa aking mga du’a tuwing ako’y nagsasagawa ng Umrah.”

“Pero ngayon…. Qadar Allâh! Pakiusap naman, Lasa, gumising ka na. Naghihintay sa’yo ang ating prinsesa. Alam mo ba, Lasa? Napakaganda ng ating anak. Mana sa’yo ang kaniyang kagandahan. Habang pinagmamasdan ko siya, lalo kitang nami-miss. Sabik na sabik ka sa kaniya, hindi ba? Gising na, Lasa ko… samahan mo ako sa pag-aalaga sa ating anak,” pagmamakaawa ni Karim habang idinidikit ang kaniyang pisngi sa pisngi ng walang malay na asawa.

“Sa tuwing umiiyak ang ating anak na tila hinahanap ang iyong yakap, halik, hele, at pag-aaruga… hindi ko alam kung paano ipapaliwanag sa kaniya ang kalagayan mo. Sana ako na lang ang nasa kalagayan mo ngayon, Lasa…”

Walang araw na hindi hinahanap-hanap ni Karim ang dating sigla ng asawa—ang tawa, lambingan, kuwentuhan, at pag-aaruga nito sa kaniya na trinato siyang parang isang prinsipe. Akala niya, pagkasilang ng anak nila’y ganap na silang liligaya. Dumating ang kanilang pinakahihintay na anak—ngunit naglaho naman ang kaniyang pinakamamahal na kasama sa buhay.

“Akala ko, sabay nating aalagaan ang ating anak. Akala ko, mas sasaya pa ang buhay ko kung magiging tatlo na tayo. Halos isang dekada natin itong hinintay, Lasa…hindi ba? Hindi mo man naririnig ang aking mga kuwento na paulit-ulit ko nang sinasabi sa’yo, batid kong nararamdaman mo ito. Hindi ba sa tuwing naririnig mo ito ikaw ay labis na kinikilig. Pakatandaan mo… hinding-hindi ako magsasawang hintayin ang araw na gagaling ka at babalik sa dati ang iyong kalusugan, Lasa.”

“Walang gabi o araw ang dumaan na hindi ko ipinag-du’a ang pagbalik mo sa amin at muling masisilayan ang mga tawa’t halakhak sa iyong mukha. Gumising ka na, Lasa ko… hinahanap ka na ng ating anak,” marahang sambit ni Karim habang umaagos ang luha sa pisngi ni Maymuna.

“Yâ Allâh, pagalingin N’yo na po ang aking asawa. Huwag N’yo pa po sana siyang kunin mula sa amin. Papalapit na po ang araw ng Aqeeqa ng aming anak. Sana po’y naroon ang aking asawa sa espesyal na araw na iyon ng aming pamilya. Sana po’y kumpleto kaming tatlo. Bigyan N’yo pa po sana siya ng pagkakataong mayakap ang aming anak, mahalikan ito, at magampanan ang pagiging isang Ina’.”

Maraming paghimlay ng araw at pagsibol ng umaga ang lumipas, ngunit nanatiling bihag ng katahimikan si Maymuna. Mag-isa siyang nakahimlay sa higaan ng ICU, habang ang ritmikong pag-ugong ng mechanical ventilator ang tangi lamang nagsisilbing lalangan sa kaniyang tulog na napakahimbing.

“Naririto pa rin ang iyong katawan, Lasa, ngunit ang iyong diwa ay wari’y naglalakbay sa isang daigdig na hindi na namin maabot ng ating anak, tulad ng mga tala at buwan sa pusod ng napakadilim na kalangitan; ikaw ay nagbibigay-liwanag sa dilim, nagbibigay pag-asa sa mga mata kong tumitingala, ngunit nananatili kang hindi maabot ng aking mga kamay, gaano man kita nais makapiling,” panaghoy ni Karim sa isa na namang pagdalaw niya kay Maymuna. Matagal niya itong pinagmasdan—walang malay, hindi gumagalaw, at nananatiling nakikipaglaban sa pagitan ng buhay at kamatayan.

Contributors (Issue 11)

Anifa Gamor Alonto is an associate professor at the English Department of Mindanao State University-Main Campus. She completed her baccalaureate degree in Speech Communication from the University of the Philippines-Diliman, and her master’s degree in English Language Teaching at MSU-Main Campus. She has taught as a pioneering Filipino university instructor in Libya before returning home to continue her teaching career. She is currently teaching English at the School of Foreign Languages in Kastamonu University, Turkey, under a two-year faculty exchange program with the institution.

Najhanne Buat Asum, 21, is from Balindong, Lanao del Sur. She is a fourth-year student in the Bachelor of Arts in English Language Studies program at Mindanao State University – Main Campus. Najhanne writes from the heart, inspired by what she observes in the world, and hopes her words can make a small difference.

Guian Dayang writes poetry that explores labor, culture, politics, and the mystical or extraordinary. Their work reflects the textures of everyday life in Mindanao and the stories that emerge from the intersections of work, belief, and community.

Nelson Dino is an assistant professor in the Department of Literary and Cultural Studies at the College of Arts and Sciences (CAS) at MSU-TCTO. He also serves as the Director of the Office of Creative Works (OCREWORKS) at the same university, where he helps manage the Maas Kamlon Writers Workshop and remains involved in creative writing. Committed to supporting literature in the region, he regularly submits his works to BLR for consideration. He hopes his stories are deeply rooted in the landscapes of islands, the sea, and coastal communities, capturing the rhythm of the tides, the voices of children, and the resilience of local traditions. Through his creative writing engagement, he seeks to explore themes of identity, memory, and how people connect with their surroundings. He tries to weave elements of nature, daily life, and cultural heritage into narratives that feel vivid and immersive, highlighting the subtle beauty of the environment while keeping his stories both personal and expansive. As a proponent of Sululogy—a storytelling method grounded in self-narrative—he hopes to encourage readers and young writers to view the world through the lens of local experiences and imagination.

Raihana K. Lamalan is currently studying at Mindanao State University – General Santos City. Born in Jeddah, Kingdom of Saudi Arabia, she grew up with little access to books and literature, but managed to find a way through Wattpad. She was a fellow of the SOX Writers Workshop in 2023.

Jamil E. Mabandis is an aspiring Bangsamoro writer, currently pursuing a BA in English (Creative Writing) at the University of the Philippines Mindanao. He loves experimenting with poetry and creative nonfiction, especially about Bangsamoro.

Shayra A. Macaombao, a fourth-year student at Mindanao State University Marawi, is pursuing a Bachelor of Arts in English Language Studies. Her academic interests revolve around language, literature, and communication, particularly within the context of Philippine studies and education. As a graduating student, she is actively honing her research, critical analysis, and academic writing skills to prepare for a career in language-related fields.

Anna L. Mamalampac, is a second‑year pioneering student of the Bachelor of Arts in Literature. Her story was an honorable mention during the 32nd Iligan National Writers Workshop and was awarded the Jimmy Y. Balacuit Award for her Creative Non-fiction. Her early interest in art, nature, writing, and literature—cultivated since elementary school—has shaped her academic path, strengthened her commitment to literary studies, and continues to drive her exploration of storytelling. She aspires to publish works that reflect depth, clarity, and cultural consciousness. She believes that stories extend beyond mere narration; they preserve memory, identity, and the cultural values of a people. For her, stories do more than recount events—they shape minds, preserve cultures, and inspire change.

Nathara Mugong is a native of Simunul, Tawi-Tawi. She previously served as a Museum Engagement Assistant and has had her work featured in the Kislap-Diwa exhibit at the National Museum of Anthropology. In 2025, she was honored with the National Youth Achievement Award in Literary Arts by the National Committee on Literary Arts of the National Commission for Culture and the Arts (NCLA–NCCA).

Sandrah Maas Saudagal is a 23-year-old poet and artist from Kabacan, Cotabato. She earned her Bachelor of Arts in English Language, graduating with honors from the University of Southern Mindanao—Main Campus in 2024. She is a member of the Cotabato Literary Circle and the author of the zine Depth TOTS.com, published during the SOX Zine Fest 2024. In her undergraduate thesis, Tudtulan: Tales of Heroes, Virtues, and Cultural Perspectives, she sought to explore Maguindanaon literature by examining its portrayals of heroism, virtue, and cultural identity. Much of her creative work delves into themes of humor, depth, and self-discovery. Beyond writing, she enjoys creating and sharing videos on her personal Facebook page.

Jahara A. Solaiman teaches art appreciation, purposive communication, writing, and literature subjects at the English Department in Mindanao State University, Marawi City. Her poems have appeared in several issues of the Bangsamoro Literary Review, and she has also published poems in national anthologies like Lawanen II (Gantala Press, 2018) and the 40th anniversary edition of Ani (2018), the annual literary journal of the Cultural Center of the Philippines. Her poetry takes inspiration from everyday life, the human condition, and the Meranaw culture. She is now finishing an MA in Language Studies in MSU-Marawi.

Si Ralph Jade Tampal ay isang Maguindanaon at Muslim na theatre artist at interfaith advocate mula sa Munisipalidad ng Kiamba, Probinsya ng Sarangani. Isa siya sa mga napiling kalahok sa 7th Amelia Lapeña-Bonifacio Writers’ Workshop (2023), ikaapat na Saling Panitik: Palihang Bienvenido Lumbera (2024), at ikatlong Palihang Rene O. Villanueva (2025). Nagtapos si Ralph ng Bachelor of Arts in Theatre (cum laude) sa Guang Ming College. Noong Abril 2025, pinarangalan siya bilang isa sa mga National Honorees ng Ten Outstanding Students of the Philippines. Sa kasalukuyan, kumukuha siya ng Master of Arts sa Malikhaing Pagsulat sa Unibersidad ng Pilipinas–Diliman at nagtuturo sa Departamento ng Performing Arts ng Guang Ming College–Tagaytay.

Masasalamin sa mga akda ni Dr. Almayrah A. Tiburon ang pagpapaunlad at pagsusulong ng wika at kulturang Meranaw. Siya ay propesor sa Departamento ng Filipino At Iba Pang Wika sa Mindanao State University (MSU) – Main Campus, Lungsod Marawi. Bilang isang manunulat, nakilala siya sa kanyang mga librong tulad ng “Salamin At Iba Pang Panglaw”, “Thotholan: Mga Alamat at Pabulang Meranaw”, at iba pang libro. Marami na rin siyang naisulat na mga tula, mga sanaysay, at mga maikling kwento. Ang obra maestra niyang kwento ay ang “Katao” gayundin ang kwentong “Langilaw” na naisalin sa iba’t ibang wika. Ginawaran siya ng prestihiyosong “Gawad Kampeon ng Wika 2024” ng Komisyon sa Wikang Filipino bilang pagkilala sa kanyang natatanging kontribusyon sa pagpapayabong ng wika at kulturang Meranaw.

Raihan A. Yusoph is a faculty member of the History Department at Mindanao State University–Marawi. He earned his BA in History (2016) and MA in History, major in Mindanao Studies (2021), from MSU–Marawi, and completed additional doctoral units in Philippine Studies. He is currently pursuing a PhD in the International Peace and Coexistence Program at Hiroshima University, Japan, under the supervision of Dr. Mari Katayanagi, as a MEXT (Monbukagakusho) Scholar of the Japanese Government. He has presented research in various international conferences across Asia, Europe, and North Africa. His research focuses on Bangsamoro studies, peace and conflict studies, and biographical studies, with publications in Scopus-indexed and peer-reviewed international journals.

Remembering Jabidah

Teng Mangansakan

The legacy of the Jabidah massacre refuses to fade away and sticks with each generation like a name that’s always on the tip of the tongue. It shows up in pieces, slipping between what people say out loud and what they choose to keep hidden. And from those scattered pieces, we try to build a story for ourselves, and sometimes even a future.

As a Moro, I have inherited its legacy too, like someone who hangs around the edges, picking through what’s left unsaid, listening for echoes that travel even to the remotest places. My grandfather, Datu Udtog Matalam, did not have the luxury of such distance. When Jabidah erupted into the national consciousness, he responded not with metaphors as writers are predisposed to invoke but with one sweeping movement. He founded the Muslim Independence Movement, an act that was at once grief and defiance, a declaration that history had reached a point of no return. His revolution was urgent and carved out of outrage. Mine, I have come to understand, is quieter, slower, almost hesitant. It is a revolution in the mind, where memory is both weapon and wound.

For years, I have circled Jabidah without quite entering it, like an island seen from afar, its shores too thick with meaning to approach directly. But in the last two years, I found myself traveling repeatedly to Tawi-Tawi, drawn by a need I could not fully articulate. There is something about islands that insist on isolation, but they also promise a form of clarity. In Simunul, where the story of Jabidah is said to have begun its quiet gestation, I felt the past not as something concluded but as something waiting patiently, like some unresolved business.

It was there that I encountered the story of Sophia Mirkusin. It did not come to me like history from authoritative textbooks or the brittle certainty of archives. Instead, it arrived as a love story told in fragments. Sophia, they said, had loved a man named Eduardo Martelino, a man whose presence in the narrative of Jabidah is often reduced to rank and function, but who, in Sophia’s remembering, existed first as a bearer of promise of everlasting love.

He arrived, as such men do in island stories, with the aura of foreignness. He carried with him the weight of a nation that had not yet learned its own fractures. In Sophia’s telling, he was attentive in ways that suggested he was the right one. He spoke of return as though it were inevitable, as though distance was only a temporary inconvenience. Love, he told her, could easily overcome this. In that fragile space between encounter and departure, she allowed herself to believe in a future that extended beyond the horizon. She dreamed beyond the uncertainties that already hovered over Simunul.

But history, like the tide, does not honor such intimacies. It intrudes, takes what is private, and subjects it to violence in the open. When Martelino left, summoned back into the machinery of a state that was itself unraveling, he carried with him not only his obligations but also the silence that would come to define his absence. He did not return. Or rather, he returned only in stories that contradicted one another, every version clashed with the next, in a history that has never been settled.

Sophia waited.

This waiting, I have realized, is not incidental to the story of Jabidah but is central to it. Because what is Jabidah if not a prolonged act of waiting? Waiting for truth. Waiting for acknowledgment. Waiting for justice that never arrives in the package one desires. Sophia’s vigil became a quiet mirror of the Bangsamoro condition itself, a testament to the endurance required to live with histories that do not resolve easily.

She waited through the slow sedimentation of myth and rumor, through the shifting narratives that alternately obscured and exposed the contours of the massacre. All the while, the man she loved became increasingly drawn into those stories. People kept mentioning his name, making him feel both close and impossibly far away. And then, at some point, no one can say exactly when, she decided to move on, though even that phrase feels inadequate, as though it suggests a clean break where none existed. What does it mean to move on from something that has never properly ended?

In Sophia’s story, I began to see Jabidah not only as a political rupture but as an intimate one, a crack that extends into the most private corners of human experience, reshaping love, memory, and the very possibility of closure. Her waiting was not passive, but an active engagement with absence, a refusal to let the story settle into the neatness that history often demands.

This is perhaps why her story found its way into my own work, why it lingered at the edges of Island Fever, why it haunted the imagined conversation between Lina, a journalist, and Jabidah survivor Jibin Arula, who returned from the Hereafter. Because even in that speculative space, where the dead are allowed to speak, the questions remain unresolved. The journalist seeks answers, but what she encounters instead is a series of echoes, bits and pieces of memory and afterthought that never quite come together.

Writing that story, shaping it through long conversations on the many questions of identity, history, and the burden of memory, I began to understand that my work is not to resolve Jabidah but to inhabit it. To sit with its ambiguities. To allow its contradictions to breathe. This is perhaps the quiet revolution I have chosen, not to simplify and make a chronicle of some sort, but to stick around and allow the tangled stories that make up Bangsamoro identity to unravel.

Because, really, this isn’t just about how we remember Jabidah. It’s about how we see ourselves in its shadow. Are we just carrying old wounds, stuck in this endless cycle of anger and payback? Or are we keepers of memory, holding on to the hard truths of the past without letting them swallow us whole? Sophia’s story doesn’t reconcile any of that. If anything, it makes the questions heavier.

In the end, I keep coming back to the image of the tide. Jabidah always comes back through different faces and voices, even in silence. It keeps shaping Bangsamoro’s future. It keeps shaping the Filipino imagination, too, even if we pretend it is the least of its concerns. And in Sophia’s waiting, in the way she loved a man tied to a history that won’t let him go, I see the tide at its most personal. It’s not just in our politics or our shared memory, but also in our quietest hopes and the things we want most.

And in that, perhaps, lies the real weight of inheritance, knowing that every time we write, every time we remember, we’re still waiting and listening, still trying to figure out a story that has no neat ending.