An Amazing Grace

Pearlsha Abubakar-Quebral

I first became familiar with the Islamic principle of “barakat” when my Aba (father), the late Hashim Rasul Abubakar, asked me to work with him on a Powerpoint presentation for an international group of development workers visiting Manila in 2007. The group wanted to hear other perspectives on what makes social development sustainable.

The Western model of development prides itself on democracy, open-mindedness, visionary leadership, and courage of the pioneer, which is why it should dovetail perfectly with the requirements of barakat. After 911, it had become particularly hard for the West to see anything good in Islamic culture. Together, my father and I expounded on the meaning of “barakat” and attempted to articulate it to a secular audience, in a small effort to build sturdier, more lasting foundations in place of the physical structures that had come apart after 911.

What is Barakat? “Barakat” in Arabic is the plural form of “blessing.” Aba extended the definition to mean a principle whereby “rahman” or grace is the singular element that fuels social change. It is literally singular in that “rahman” is bestowed upon a human being by a combination of fortuitous personal and sociopolitical circumstances. Having become extraordinary by acquiring this “rahman” or grace, this human being then moves to improves large swaths of human lives using their own personal means.

This main feature of barakat is controversial: an extraordinary human being favored by the universe to effect lasting change. It makes the 99% of us wince. It makes all the inequalities and inequities even more apparent and therefore painful to bear. Why can’t rahman be bestowed upon every single one of us?

If only we can ask Prophet Abraham, Moses, or Jesus Christ what they thought of their extraordinariness. But history did tell us how inconvenient it had been for them to be extraordinary during their lifetime. If they didn’t nearly drown in the Red Sea after barely escaping their hunters, they got crucified and were left on a hilltop to die.

Now that will make the 99% of us not only wince, but scream, twist and shout in agony as well. We don’t want any of this, after all.

In the province of Sulu in Muslim Philippines, where my father was born, extraordinary human beings were called tubuanan or magaagama, people or families with blood links to history and whom circumstances have installed in positions of wisdom, power and influence. Descendants of the Prophet Mohammed are considered as such. This concept is neither alien nor impractical to many cultures. Histories and herstories, oral and written, are full of kings, queens, shamans and healers whose powers did not come from excessive striving, but from being at the right place at the right time, with them possessing the necessary mental, social and spiritual faculties to effect meaningful change. Human design could only go so far – we cannot truly predict when the ocean swells will be at their highest point. Most of us only know that the ocean will heave at some point; but barakat allows the extraordinary person to ride the biggest wave, for the rest of us to see where dry land could be. To give a very simplistic example, it will be usually easier for a child of a family of sailors to succeed in sailing than a child of a family of lute players, or vice versa. Intergenerational inheritance and the epigenetic effects of a supportive environment are constantly operating on an extraordinary person’s life. One cannot exist without the other.

To be part of world history is Grace. A truly amazing grace. “In God We Trust” is minted on American coins; “Inshaallah” (or God Willing) is marked on Muslim leaders.

The Nobel Peace Prize Laureate for 2006, Mohammed Yunnus of Bangladesh, practiced barakat, with or without him knowing it. Using his own personal wealth, knowledge and wisdom, he went back to his poverty-stricken homeland to introduce a micro-financing scheme for Bangladeshi women. The deep reason for the poverty was neither poor soil nor military harassment; it was a patriarchal culture that stifled the potential of women. Mohammed liberated the women from this insidious culture by lending money exclusively to them, not to their husbands who would most likely mismanage it. With it they bought cows they grew and whose milk they sold in the market. Some bought plows to till the soil, and the benefits of their hard work empowered the women and their families, instantly improving their lives on all levels: physical, psychological, spiritual, and economic.

Yunnus is hardly an ordinary man. It could be mind-boggling how a person as endowed with wealth and power as he was could have such compassion for his fellowmen, and such compassion is not ordinary. It is grace. With grace, a person becomes fit to lead. Unfortunately, electoral processes, which were initially developed with the pure intention of representing the people’s will, have since become so warped that they have instead weeded out people blessed by amazing grace and nurtured the people blessed by amazing money and power.

Fortunately, however, the enlightened man, aware of the failure of the electoral process, shares his grace through means other than political. And in Muslim Philippines, the actions of a mere handful of powerful people in the central government can spell life or death for the future of barakat. For instance, a powerful leader that continues to appoint warlords-turned-politicians in a town where private citizens have been practicing barakat can quickly diminish the gains of barakat. These leaders were appointed by the central government, not chosen by the people, which explains why they rule with such brute force, not with the effortlessness and lightness of touch that comes with true grace.

In 1996, my Aba, a beautiful human being who I believe to have possessed an amazing grace, started developing a piece of property that lay directly in the path of two warring families. For a long time, the An Noor community in Indanan, Sulu was a place that drew residents, Muslim and non-Muslim, from all over Mindanao. The endless blue waters of the Sulu sea, the mangroves, the movements of the gentle Sama people that built houses on stilts close to the property, all inspired Aba to make Paradise on Earth a reality for the community, achieved without any government support. On Fridays, residents went to the little bamboo mosque to pray, and helped each other run errands. Mango trees and yellowbells bloomed, and an ancient banyan tree by the water’s edge witnessed much drama, love and laughter happening under its shade.

But the Universe had other Plans, and when our house was bombed during a particularly tumultuous period in Sulu’s modern history, the family moved to higher ground and did not come back for a spell. My brother has since begun picking up the Pieces that will make An Noor worthy of its brilliant name again, but it will be a long time before a full peace can be restored.

Maybe someday, Inshallah, paradise on earth will become a reality once more in my father’s homeland.

Or perhaps, paradise is already underway as I end this essay.

Volume 2 Authors

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ESSAY

[box]Imadodin Dimao Imadodin “Imad” Basar Dimao graduated from Zaid bin Thabit Quranic Institute. He’s been an expat for years in the Middle East. He is a tenured Bilingual (Arabic) Technical Support Analyst for Coursera since 2019. He contributes Islamic articles to Philippine Muslim Today.

Read Submission: Here

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[box] Elijah Marvin Santos GuangcoElijah Marvin Santos Guangco is a Bachelor of Arts in English graduate from the Mindanao State University in Marawi City. He has been published in the Philippine Daily Inquirer Youngblood (2016), Youngblood 7 (2019), and Mirar: Untold Scribbles (2021). Currently, he works as a Communications Officer and teaches Research at the Ateneo de Zamboanga University Senior High School. He also teaches literature in the College Unit of the same University.

Read Submission: Here

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[box]Shariful S. Mansul Shariful S. Mansul was born in Sulu, spent his high school years in Bulacan, and attends college in Zamboanga. He studies philosophy and occasionally scribbles. He likes reading stuff on history, language, and power—or just anything that makes him understand or that deepens and widens his already-placed understanding. He prefers to be called Perry.

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FICTION

[box]Alminah B. Alyamen Alminah B. Alyamen is a twenty-year-old first year college student at the Mindanao State University- Main Campus where she is taking up her Bachelor of Science Major in Physics. She was a former member of LANGKOM Official Student Publication of RC-AL Khwarizmi International College Foundation Incorporated, Senior High School. She loves to read books and writing is her best escape. For her, without books she can’t truly live well.

Read Submission: Here

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[box]Bensar M. Saed Bensar M. Saed is a graduate of Bachelor in Elementary Education. He just finished his Doctor of Philosophy in Educational Administration last June 2020. He is currently teaching at J. Marquez Elementary School. He is handling Grade Six learners and teaching Science.

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[box]Ahmad Shaid J. Sallim Ahmad Shaid Jundam Sallim is a current second year law student at Western Mindanao State University, College of Law in Zamboanga City. He took his Bachelor of Arts major in Asian Studies in the same university. Born and raised in Basilan during the height of the island’s political unrest, his consciousness about outside world beyond his understanding and environment is vague and dimmed. Somehow, his inspiration to write was the book about the history of Sulu. As an aspiring lawyer and writer, he started his passion in reading and writing since he was very young. The urge to redefine the Basilan’s tumultuous past drive his passion to write his experiences about the island. He is currently engage with the non-government organizations (NGO) involving youth leadership and environmental conservation and currently working on his project about writing the local history of his hometown in Maluso, Basilan.

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HYBRID NARRATIVE

[box]Maleeha Ampatuan Ansari Maleeha Ampatuan Ansari is a medical student who has a passion for uplifting and inspiring people through her writing and creativity. She is the creator of Maleehini.art, the associate editor of her medical school’s publication and the co-founder of Muslimah Artist Philippines which is an online group created for female Muslim artists and aspiring artists to share and connect with one another.

Read Submission: Here

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POETRY

[box]Omira S. Abdulbasit Omira S. Abdulbasit is currently a senior clerk (fourth year) medical student at Liceo de Cagayan University. She is a professional civil service eligible and a licensed nurse. She is both a passionate advocate and a volunteer since undergrad and is affiliated with different organizations in line with academic or socio-civic associations. She excels both in public speaking and journalism, being the previous Editor-In-Chief of MSU-CHS The Lamp Publication and graduated with “Writer of the Year” and “Best Thesis Awardee” as part of her numerous graduation awards. She won multiple competitions in the fields of writing and public speaking. She also presented her paper focusing on mental health and got it funded and published internationally.

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[box]Amira R. Bagumbaran Amira R. Bagumbaran is a teacher from Marawi City. She graduated cum laude from Mindanao State University and ranked 10th place in the Licensure Examination for Teachers last September 25, 2011. With passion to teach, she enjoys teaching both children and LET reviewees as a part-time lecturer. She strongly advocates for respect and unity in diversity.

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[box]Adia Arianne A. Bangcola Adia Arianne A. Bangcola is a young M’ranao poet and writer. Her spoken word performances of her original work has granted her distinctions in competitions organized by Pilumbayan, Inquirer, and the Film Development Council of the Philippines. She is currently pursuing medicine, and would like to work with children in the future.

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[box]Bai Fairuz Candao Bai Fairuz Candao is the youngest daughter of former ARMM Regional Governor Datu Zacaria A. Candao with his late wife Bai Saada Bajunaid Candao. Her exposure to the Bangsamoro struggle for self-determination all through the years has inspired her to express her views through writing. As a creative writer, she aims to appeal to the hearts of her fellow Bangsamoro with her thought-provoking short stories, poetry, and essays. She also specializes in speech writing and public speaking. As a current employee in the interim Bangsamoro government, she hopes to impart her skills to the younger ones and convince them to express their valuable thoughts.

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[box]Rohaina Dansal Rohaina S. Dansal is a twenty-year old student in Mindanao State University Main Campus. She worked with student publications as part of the editorial staff from her past and present schools. Her written works were published in Banwag, Bedlisiw, The Worksheet, and Mindanao Varsitarian. She lives in Kauswagan, Lanao del Norte.

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[box]Jahara A. Solaiman Jahara A. Solaiman is an instructor at the English Department of Mindanao State University-Marawi City, where she teaches English, literature, and art appreciation. Her earlier works have appeared in other literary anthologies, the most recent being Lawanen II (Gantala Press) and Ani 40: Katutubo (Cultural Center of the Philippines). In addition to creative writing, she loves imparting her love of art (she works with colored pencils, watercolors, and acrylic) to her students.

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Volume 1 Authors

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ESSAY

[box] Diandra Ditma A. Macarambon Diandra Ditma A. Macarambon is a Meranaw who hails from Lanao del Sur. She teaches at the Mindanao State University in Marawi City, where she grew up. Her works have been published in some anthologies, newspapers, as well as online sites. She is an advocate of peace and equality in all its forms.

Read Submissions: Here

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[box] Shariff Pendatun Datu Shariff Pendatun is a chef and writer from Manila. He has edited and contributed to various publications such as NCCA’s FOOD TRIP Pagkain sa Panitikan, ArtPost Asia’s Muslim Mindanao and Sulu: A Current of Narratives, and Anvil Publishing’s Savor the Word. He sits as a judge for the Doreen G. Fernandez Food Writing Awards.

Read Submissions: Here

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FICTION

[box]Genory Vanz AlfasainGenory Vanz Alfasain, also known as Yadu Karu, is an advocacy blogger and writer based in Sarangani province. His written works have been published in a variety of publications, including New Durian Cinema, Film Criticism Collective 3 (Yamagata International Documentary Film Festival), Cotabato Literary Journal, Dagmay, and SunStar Davao. A co-founder of the Sarangani Writers League, Alfasain directed, wrote, and produced short films. His first short film, , won Best Short Film (Sarangani Shorts Category) in the first SalaMindanaw Asian Film Festival. His second short film Jamir was nominated for Best Short Film in the 2014 Mindanao Film Festival. He is also one of the festival staff of Salamindanaw Asian Film Festival.

Read Submissions: Here

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[box]Loren Hallilah LaoLoren Hallilah Lao is a Prosecutor from Lanao del Sur. Before she went to weave actual crime stories for the court, she used to write fictional stories while in law school and while she was teaching English in Mindanao State University in Marawi City.

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[box]Mubarak M. TahirMubarak M. Tahir is a pure-blooded Maguindanaoan writer from Kitango, Datu Piang Maguindanao. He won his first national literary award as 3rd Prize Winner for his Filipino essay “Aden Bon Besen Uyag-Uyag” in Carlos Palanca Memorial Awards for Literature 2017. His short stories and poems were published in Dagmay, SunStar Davao, ALPAS Journal, Cotabato Literary Journal, Philippines Graphic, Likhaan: The Journal of Contemporary Philippine Literature, Davao Harvest 3, Mindanao Harvest 5: Anthology, Ani 40 of the Cultural Center of the Philippines, and other publications. He is currently teaching in Mindanao State University General Santos.

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[box]Dr. Almayrah Abbas Tiburon Si Dr. Almayrah Abbas Tiburon ay guro sa Mindanao State University, Marawi city. Bilang manunulat, ibig niyang ipakilala sa ibang tribo na ang mga Meranaw ay may makulay, dakila, at makasaysayang kultura’t tradisyon.

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POETRY

[box] Sequina Karla Guiam Saquina Karla C. Guiam is a Best of the Net-nominated poet. On occasion, she writes prose. Her work has appeared on Glass: A Journal of Poetry, The Maine Review, Outlook Springs, Augur Mag, and others. She lives in southern Philippines.

Read Submitted Pieces: Here

 

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