Baliyu, Heya Amok (The Wind Rages, So Does the Sea)

Ruhil M. Jalil

Green leaves trembled lightly as the wind stirred their small branches. A woman in her thirties sat quietly in a gymnasium during a general orientation of their college unit, where she worked as faculty. She was completing her daily dzikir, aiming for a thousand recitations. Shortly after her devotion, amidst presentations by various chairpersons, she straightened her back, then leaned backward. Looking up, she tilted her head to the right and noticed the leaves rustling again. The sound made her pause, and memories began to take hold.

***

It was evening, and the stars gazed blankly, as if unsure what emotions to hold. Meanwhile, a 12-year-old girl sitting outdoors in the front row, far left, felt uneasy. Awaiting her name to be called for her valedictorian speech at their elementary graduation of batch 2007–2008, her eyes kept drifting to the Songgot-Songgot leaves of a nearby tree. She was haunted by memories of baliyu—the fierce, unpredictable wind.

When they moved to their newly built house beside the pier, she was eight years old. She helped carry their light belongings from her grandparents’ home to the new one. Cradling two glass bottles of Papa’s catsup, filled with used cooking oil, she overheard people say, “Parungguan batang tongod doh naan.” When the baliyu raged, the sea would surge fiercely, dragging with it massive logs, debris, and sea grass, all piled up at the foot of the pier, right beside their house. Her fear was tangled with local myths—that ghosts haunted the pier, that storms could tear apart their lumah salirap—a nipa hut—and that the floating logs might crush their home.

One day, her grandfather brought take-out food from a tahalir, a group prayer for the departed. Her mother called them to eat together with her younger sister, who was two years her junior. Having no electricity, they lit a palitaan—a traditional lamp made from recycled glass with a lid, a piece of cloth, and gas. The dining area was dimly lighted; shadows felt like they were going to gnaw her voraciously from behind. The food looked savory: chicken adobo, pansit, and her favorite fried eggplant with a light-orange coating. Yet she hesitated, taking only a small bite. The thought of an amatey—the spirit of the dead—made her chill in a ghostly haze. She recalled a diaper floating near their swimming spot, a disturbing sight marking the sea unclean. The waste was said to come from a sick woman who had died and for whom prayers were offered. Imagining a spirit had lain upon the foods, she had a creeping thought that she might catch the same illness.

There were only three of them at home. Her father worked as a librarian clerk on another island, earning three thousand pesos a month. His absence deepened her childhood fears. He was home only from Friday afternoon, when the lansa—the motor launch—arrived at 1:30 PM, until Monday morning at 8:00 AM, when he returned for work. The rest of her elementary and early high school years passed with unease, then distance became more intense when her father’s termination and subsequent departure to Sabah, Malaysia, to work as a dawey-dawey, or a deckhand on a ship, occurred.

Years later on one calm night after a typhoon, after Magrib prayers, her mother called from a neighbor’s phone. “Hello Wing, lae lubu lumah tabi…” her mother cried, telling her their house had collapsed around 4:00 AM. She was already a second-year college student studying in the mainland of Tawi-Tawi. Silenced by the news, she held back tears, telling her mother, “Anduh sab,” assuring her everything would be fine, Insha Allah. After ending the call, she broke down, weeping quietly so her boardmates wouldn’t hear. Sitting curled up, knees to chin, arms wrapped around herself, she whispered, “Ya Allah, why must our home be shattered?” so she vowed to study hard, graduate, and build a concrete house on solid ground—somewhere her family would never have to fear the typhoon again.

During a summer vacation she went home, and they lived in a neighbor’s kitchen—offered to them since they had no shelter. Ever since, she has endured the exhausting and frightening routine of fleeing to a neighbor’s concrete house during storms or high tide breakers, whether by day, night, or midnight. The worst torment came when the sea summoned dreadful logs, as if punishing them endlessly. They guarded the house’s posts from massive logs tossed violently by the waves. These stubborn logs surrounded the house, crashing relentlessly, only retreating when the currents pulled the sea back. Then, all would calm: the storm waves, the drifting logs, and her racing heart. One time, on Eid al-Adha, when the weather was usually unkind, she suffered menstrual cramps yet struggled to lift a heavy pole to push attacking logs away—it was like a merciless trial.

***

As the program ended, she recalled these memories. At home, she reflected: every time she traveled to and from their hometown, if the sea sailed smoothly, her heart brimmed with gratitude. But when it grew rough, tears came unbidden, and she would cry out, “Astagfirullah!” unable to contain her fear. To this day, those seas leave psychological scars. She may have fulfilled her dream already, but every time she travels, she has to find courage to face her fear of the sea’s treacherous currents. When the waves rise, she loses herself, calling out to Allah for mercy. These reflexes helped her release the grief of her childhood. Recognizing this reaction as a shadow of her past, she finally smiles at her childhood pain and tells her that “she survives” the little fears she should have outgrown by now.

The Dynamics of Grieving

Gonaranao B. Musor

You will never truly understand something until it happens to you.

It’s so easy to underestimate disasters, tragedies, and other forms of misfortune around us. “That’s life!” – one would easily say. “That’s resilience!” – if you are Filipino. So much so that “resilience” has become sort of a cliche or a convenient excuse for not taking responsibility for whatever bad luck that falls on you.

We were in Singapore when the pandemic happened and it was very difficult to fathom then the dangers of it. I read and understood the toll in terms of human lives lost and economic disruption. It is one thing though to understand based on facts and figures in an academic, impersonal way. But it is entirely different to go beyond understanding, to empathize.

There were times when it felt like it was already becoming too close for comfort, but I would immediately brush it off. “Nah, everything’s going to be okay.” I can still remember my experience with past pandemics – SARS, bird flu – and God was kind enough to spare me. Why would this be any different?

Singapore, however, is a very small and compact island-country. A hub where most travelers transit, if not their final destination. Unfortunately, there are some who not only pass through, they stay behind. Including viruses. What are the chances that I’ll be coming across someone who has COVID along Orchard Road, in Lucky Plaza, or in some other densely populated area of the city state?

Eventually, paranoia set in as we saw the numbers rise in terms of cases and the lockdown, or circuit breaker as they called it, was imposed. Straight from the pages of a dystopian novel, we witnessed the various stages that people go through in the throes of a pandemic – the panic buying, closure of establishments, schools and offices, and of course, the face mask.

A once vibrant city virtually turned into a ghost town. Looking at the pictures of tourist spots, such as the Merlion and Orchard Road, devoid of any people was truly unimaginable. Seeing a large “X” sign on areas where people were no longer allowed gave an eerie vibe that often would have me confused if this was a Zombie or a COVID outbreak.

We were practically prisoners in our own house, with Netflix as our only link to the outside world. Our ears became extra sensitive to any faint sound of coughing from any of our fellow tenants in nearby apartment units.

Draconian or not, such measures at least showed the government’s resolve to fight the spread of a pandemic in a country that has many things to lose if they don’t play it right. It was reassuring for a resident like me to see that determination as fears and doubt continue to plague our minds. We were lucky to have left Singapore in December 2020 without experiencing an infection, only a few false alarms as a result of heightened precautions.

Arriving back in Manila that December still at the height of a pandemic can be reassuring but with a lot of uncertainties. In the middle of a crisis, we always seek familiarity, like family, as a security blanket. “At least, we’re home,” I reasoned. However, the Philippines is no Singapore in terms of political will and its more systematic and modern health facilities. It was even less comforting to see the number of infections in the Philippines rise up, compared to neighboring countries.

One can never truly understand something until it happens to you. And so it did for me.

Not yet vaccinated as I did not qualify then, I became positive but with mild symptoms only. Becoming positive is like having a thief in the night enter your home. A home invasion in the worst possible way. Lucky for me as it was only mild, it was frightening to think of the risks it posed to my family, especially to my daughter who was more vulnerable due to her unvaccinated status.

Alas, we survived the experience with only a few sleepless nights of persistent back pains, other usual flu symptoms, and without spreading the virus to my two girls.

A few months after that came another infection and it was my in-laws this time. Their case was a lot worse and my priority was again protecting my daughter and wife. My instincts told me to take my daughter and wife to someplace safe – to my brother’s house – despite the constant danger of a breakout in their household if we stayed there.

My wife, meanwhile, had to focus on being a daughter and older sister thinking I could handle our daughter by myself. She chose to stay behind in her parents’ house to take care of them as her father, mother and brothers all became positive. Despite being afraid for my wife, I cannot stop her from doing so. I left it to God to look after her, although my wife has always been tough, tougher than I am.

The most tragic of this experience was losing my father in law. It was so surreal, not just shocking and sad, to think that a few days before the breakout, he was there picking up my daughter.

He, who was my daughter’s constant companion in taking my mother-in-law to the office every morning. He who continuously doted on his only granddaughter. My daughter’s hero, in fact.

At her young age of 7, I was not sure if my daughter really understood the gravity of the situation we were in while we were refugees in my brother’s house. For her, it could be just like having an extended stay in her Uncle’s home as she innocently enjoyed the experience of bonding with her cousins.

But I can still remember that day when we broke the news that her Ama, her grandfather, passed away. No mind or heart could be so young or innocent enough not to feel the loss of a loved-one. She cried so hard that it was difficult for me not to cry back as I comforted her.

It has been almost a year since her Ama passed away. During times of frustration, my daughter would suddenly cry for her Ama, realizing that she has lost her constant ally. She sees her Ama everywhere – in the faces of her other lolos and granduncles, even from a canister of cookies that he used to buy for her.

One time, the younger brother of my mother-in-law visited us for a week. As he stayed on the third floor of the house, my daughter, in between her online classes on the second floor, would quickly climb up the stairs just to take a quick peek of her “Ama” before going back to her classes. Those quick peeks were a reminder of the Ama she lost, satisfying a longing that no amount of crying could ever subside.

The feeling of loss for a child seems to come in intermittent waves. The same innocence allows them to forget most of the time and move on with their childhood. But there are sudden emotional gusts, amidst constant reminders of that tragedy. It will always be there, those reminders, like scars from a wound that healed but doesn’t allow you to forget.

How does one explain to a child the concept of death, pandemic and grieving? Do they even properly grieve? Is it that easy for them to move on until time buries these memories in the recesses of their minds?

These are questions that I also continuously grapple with as a father. I may never answer them confidently enough for my benefit and my daughter’s. But I can always be there for her. No words, just my presence. I hope that should be enough.

Contributors (Issue 12)

Sheilfa B. Alojamiento began writing for Moro Kurier and National Midweek. She took up AB Political Science in Mindanao State University in Marawi, finished AB English in Silliman University in Dumaguete. She taught at Mindanao State University in Patikul, Sulu, and Notre Dame of Jolo College.

Razul A. Ariz of Palimbang, Sultan Kudarat, is an Ilocano-Maguindanaon visual artist, writer, layout editor, and self-taught translator and lexicographer dedicated to documenting and mainstreaming his native language and biodiversity through his social media advocacy page, Magindaknown. His translation works have also been featured on his social media platforms, including Kampilan, a youth organization he co-founded in their locality. Among his translated works are “Nalúgën a Papanúk” (“Caged Bird”) by Maya Angelou, “Su Mangúda a Dátu” (“The Little Prince”) by Antoine de Saint-Exupéry, and selected poems by Robert Frost, Rudyard Kipling, Fadwa Tuqan, and Hanan Mikha’il Ashrawi. His piece “Mapya pën Silan” was published in Bangsamoro Literary Review in 2024. His works revolved around the themes of personal journey, faith, liberation, and freedom. He earned his Bachelor of Arts in English Language Studies from Mindanao State University – General Santos and a Diploma in Women, Peace and Security from Mindanao State University – Maguindanao. A peace advocate and development worker, he currently works with a local non-government organization in Cotabato City, supporting projects that uphold the rights of Bangsamoro women.

Meizan Badrudin is a creative nonfiction writer from Cotabato City, Philippines. She is the author of the Polymath Project Book Series and a contributor to Philippine Daily Inquirer Young Blood. Her work explores themes of faith, healthcare, education, mental health, and the lived experiences of marginalized communities. She aspires to pursue medicine and continue telling stories that illuminate the dignity, resilience, and humanity found in everyday lives.

Yassin Guro Hadji Basher, born in Lumba-Bayabao, Lanao del Sur, is a graduate of mindanao State University. He is a writer and a public servant. 

Mirra-Edora Esmael is a faculty member of the Department of Literary and Cultural Studies of MSU-TCTO. She writes short stories, and creative nonfiction exploring womanhood, culture, faith, memory, and decolonial identity within the Philippine south. She was a fellow at the 2nd Maas Kamlon Writers Workshop and a participant at the 1st GAD Moro Women Writeshop of MSU-IIT. Her dream is to write an epic fantasy novel.

Jamil Mabandis is an aspiring Bangsamoro writer from Cotabato City, currently pursuing a BA English (Creative Writing) at the University of the Philippines Mindanao. Driven by a deep responsibility to preserve the voices and experiences of his people, he writes to navigate the world he is inheriting and to capture emotions too vast to hold alone. He envisions a prosperous, peaceful Bangsamoro land rooted in freedom and justice, alongside a healthy planet that safeguards all creatures. His work has appeared in the Bangsamoro Literary Review, Dagmay, SunStar Davao, and Liwayway Magazine.

Neshrin M. Macabago is a young writer from Saguiaran, Lanao del Sur whose works are mainly focus on womanhood, and it is evident in her debut work “A Daughter-In-Law” that was featured in the 8th edition of BLR. She loves to write stories that are culturally embedded and are inspired from real-life events, and she’s also into writing poetry. Her passion in writing started when she was 12, viewing it as her way of expressing her unsaid thoughts, feelings, and her creative imagination. Ms. Macabago earned a degree in Bachelor of Arts in English Language Studies at Mindanao State University – Marawi, with a Latin Honor.

Norhana Maguid is a language educator and cultural advocate, a graduate of the Bachelor of Secondary Education, major in English, and the Master of Arts in English Language Teaching at Mindanao State University-Maguindanao. She is an active contributor to the arts and education communities in the Bangsamoro region.

Aida Marohom-Manda is a Filipino language educator, an Associate Professor, and a distinguished faculty member of the Mindanao State University – Integrated Laboratory School with more than two decades of extensive experience in teaching ang academic service. She holds a PhD in Filipino, which she completed at MSU-Iligan Institute of Technology. Her dedication to education continues to inspire both learners and colleagues in the academic community.

Aaqilah S. Mangarun is a BS Biology (Major in Animal Biology) graduate from Mindanao State University – Iligan Institute of Technology. Her works have been featured in online literary journals and local publications, such as the Manila Bulletin, Transit Dialog, panitikan.ph, and Bangsamoro Literary Review. She was a fellow at the Paradox Philippine Speculative Fiction Writing Workshop in 2025.

Al Jhamier U. Mosib, with the pen name Multilingual Snake, is a 21 years-old Moro writer, and student-linguist from Banisilan, Cotabato Province. He is currently taking Bachelor of Arts in English Language (BAEL) at the University of Southern Mindanao (USM). He speaks nine languages in total. He is also a fellow of SOX Writers Workshop 2025 and the Inaugural Bangsamoro Writers Workshop in Cotabato City. Some of his works were published under the Bangsamoro Literary Review, Dagmay, and Cotabato Literary Circle’s Zines.

Gonaranao B. Musor is a diplomat and writer currently based in Jakarta and previously posted in Cairo, Kuala Lumpur, Doha, and Singapore. He has written for the Philippine Daily Inquirer, Rappler, GMA News Online, Bangsamoro Literary Review, and was the former editor of the now defunct www.bangsamoro.com. His work was also featured in the anthologies “Children of the Ever-Changing Moon: Essays by Young Moro Writers” (2007) and “Get Luckier: An Anthology of Philippine and Singapore Writings II” (2022). He recently co-edited the book “The Frontiers of Foreign Policy: Essays on Philippine Soft Power” (2024). He holds BA Psychology (Cum Laude) and MA Communication degrees from UP Diliman.

Gamson Jr Mawallil Quijano of Sūlū is a registered Radiologic Technologist based in Doha, Qatar and a contributor to MindaNews through “Tausūg in Doha.” His literary and creative works have appeared in various journals and publications.

Noor Mohammad Saada is an introvert, outlier and quinquagenarian Moro of diverse ethnic and cultural backgrounds, born in Sulu, grew up in Tawi-Tawi, studied in Zamboanga City, and worked in Davao City, Cotabato City, Makati City, and Basilan. He brings with him more than two decades of professional work in school health and nutrition, human resources management, management information systems, education management, education in minority and equity contexts, education in fragility, cultural sensitivity, peace education, and donor-funded project development. He is a widower, father of two children, and now works in a local government unit, and part-time as a lecturer in a graduate school.

Masasalamin sa mga akda ni Almayrah A. Tiburon ang pagpapaunlad at pagsusulong ng wika at kulturang Meranaw. Siya ay propesor sa Departamento ng Filipino At Iba Pang Wika sa Mindanao State University (MSU) – Main Campus, Lungsod Marawi. Bilang isang manunulat, nakilala siya sa kanyang mga librong tulad ng “Salamin At Iba Pang Panglaw”, “Thotholan: Mga Alamat at Pabulang Meranaw”, at iba pang libro. Marami na rin siyang naisulat na mga tula, mga sanaysay, at mga maikling kwento. Ang obra maestra niyang kwento ay ang “Katao” gayundin ang kwentong “Langilaw” na naisalin sa iba’t ibang wika. Ginawaran siya ng prestihiyosong “Gawad Kampeon ng Wika 2024” ng Komisyon sa Wikang Filipino bilang pagkilala sa kanyang natatanging kontribusyon sa pagpapayabong ng wika at kulturang Meranaw.

Singanin nu Pamusungan and Other Poems

Jamil Mabandis

(poetry in Maguindanaon with English translation by the author)

Singanin nu Pamusungan

Di pakapangimbenal su ginawa
Kanu taginepen a bimaba
Lu ebpun kanu mga gabun
A dinemegka kanu leka a ngala.

Sabap seka i ulak nu atay
A minetu sa limu
A nagumbus sa bulawan
A minunga sa sigay.

Sigay a ‘kena pakadulat
Ka sigay a malanat
A mana pasidaw
A pakatana ku ginawa.

Seka su inigkahanda nu Tuhan,
Singanin nu pamusungan.
A lu natun kanu pageletan
Nu taginepen endu tademan.

Na sa uman kutika
A pembalingan kanu itungan.
Sangat a di gapangimbenalan
A niya ka kanu adapan.

Sabap seka i katumanan
Nu langun a singanin
Nu nyaba pamusungan.

 

My Heart’s Desire

My own self can hardly believe
That a dream has descended
From the clouds
And found its rest in your name.

For you are the flower of the liver
Grown from kindness
Bearing fruit of gold
And sprouted with light.

A light that does not wound
But lingers gently
Like a lullaby
That quiets the restless heart.

You are what the Divine has destined,
The longing my heart once held
Now found somewhere
Between dream and memory.

And in every moment
My mind returns to this
A quiet disbelief
That you stand before me.

For you are the fulfillment
Of every dream
My heart has ever known.

 

Na u Mauma Su Gay

Na u mawma su gay
A itagak aku nengka
Na lu aku nengka
Itabun ku dedsan nu lagat.

Ka lu ku ba inipamula
Su langun nu tademan.
Endu kagagasan nu
Bagel su lidu nu ginawa.

Na u mawma su gay
A itagak ako nengka
Na lu aku nengka
Itabun ku kapedsedep nu senang.

Ka tu ba i kutika
A matana su sambel
A pakadtiyakap ku badan
A pakalimpang kanu ginawa.

Na u mawma su gay
A itagak aku nengka
Na lu aku nengka
Itabun ku limu nu magabi.

Ka lu ba su ulan-ulan
A sindaw nu pamikiran
Endu mailay ku su mga bitun
A nakakineg ku mga singanin.

Na u mawma su kutika
A dumadsang su ulan
Na pandaya ka saki
Ka endu di nilan gailay.

Su mga lu a minigis
Sa kaleges nu kaludan
A tanda nu lilini
A di den kambalingan

 

When the Day Comes

When the day comes
That you leave me
Leave me by the sea
On a quiet shore.

There I planted
All of our memories
So the waves can pass through
And slowly ease the weight in me.

When the day comes
That you leave me
Leave me
In the setting sun.

Because it will be the time
That the wind becomes gentle
That will care for my soul
And will entertain me.

When the day comes
That you leave me
Leave me
In the night.

Because the moon is there
That will enlighten my mind
So that I can see the stars
That listened to all of my wishes.

And when the time
The rain falls
Just let me
So, they can’t see.

My tears flowing
Falling as quickly as the far sea.
A sign of a love
That can never be brought back.

 

Unong

Nailay ku seka
Kanu masla a katri.
Bagiga. Bangalingkakep.

Nabulig su mga suled nengka
Kanu kaudtatan nu igan.
Bamagulyang.

Sabap sa nauma den
Su gay a ipegkagilek ku.
Gay a kapebpitas nengka sa laki.

Linemudsu sa kinabatya ku paraman
Sangat a lidu sa ginawa
A di masaupama.

Minigis su lu
Sa mana kaleges
Nu kaludan.

Linemengis.
Mana natagak a manuk
A bagu namitas.

Mana madsugat a mamayug
A di mataw medtas
Kanu lalan.

Nakatundug su kina ligu sa leka
Nu mga matana a lima.

Ugayd na ya ku da tika,
Na kinailay ku kanu
Maputi a ginis.

Ginis a ipegkalimbos kanu
Matenggaw a lawas nengka.

Ginis a dala suga nin.
Tanda nu kapedtangka nengka,
Taman sa taman.

 

Burial Shroud

I saw you
Upon the wide bed.
Lying still. Your hands gently clasped.

Your siblings gathered
At the end of the bed.
Weeping.

For the day had come
The day I feared the most.
The day you departed from me.

It began with the reading of the Holy Book.
My heart, overcome with a grief
Too deep to explain.

Tears fell
As swiftly as the rushing current
Of a distant river.

I cried aloud
Like newly hatched chick,
Left behind.

Like a little child
Who does not know yet
How to cross the road alone.

Then, came the bathing of your body
By the gentle hands.

But what I could not bear,
Was when I saw
The white cloth.

The cloth that would wrap
Your cold body.

A cloth without design.
The final mark of your leaving me
For a lifetime.

Kapangiginawa Ko

Yassin Guro Hadji Basher

Ska’e pkababaya’an ak’n,
So langon a galbek ka,
So langon a parangai nga,
So langon a paraheyasan ka.
Ska’e unga o puso ak’n,
So kalilintad o pamekeran ak’n,
So katatakna o puso ak’n,
So warna o kawyag-uyag ak’n.
Ska’e da lawan n’yan rk’n,
So bangsa na matag bangsa,
So tamok na matag tamok,
So kataid na matag kataid,
Ska’e ipgaget o puso ak’n,
So sowara akn na sii rkabo,
So pamekeran akn na sii rkabo, ll
So salimpokaw akn na sii rkabo.
Ska’e da lawan niyan,
Ska’e da toonanon,
Ska’e da laged iyan,
Ska’ da taman niyan.
Ska’e ladyawan,
Ska’e parawaten,
Ska’e di biyaten,
Ska’e bolawan.

 

English Translation by the Author

My love

You are the one I love,
All that you do,
All your essence and character,
All your beauty and splendor.
You are the essence of my heart,
The profound peace of my mind,
The quiet tranquility of my spirit,
The vibrant color of my existence.
You are the strength of my heart,
My voice is dedicated to you,
My thoughts are focused on you,
My every waking moment is for you.
You are the strength of my heart,
My voice is dedicated to you,
My thoughts are focused on you,
My every waking moment is for you.
You are without comparison,
You are utterly unique,
You are unmatched in form,
Your greatness has no end.
You are a guiding light/ideal,
You are the standard to follow,
You are everlasting/immutable,
You are precious gold.